Geneviève Fauvel

Geneviève Fauvel - Kinetic Work

1969

Where did the orange go by Joel Froment Circa 2015 Acrylic on chipboard 100 x 75 x 4.5 cms Signed on the back 900 euros From 1962-1968, Joel Fromant studied at the Beaux-Arts in Par...

EMOTIF VI - 2018 Jazzu 65x50 cms Acrylic and aerosol can on 180g canson paper Unique work signed by the artist With certificate of the artist Price: 600 euros Jazzu is the signature...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Oil on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, orange, green, and purple.