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George DannattDeflection of Light - Venice No 11995
1995
$301.60
£220
€258.48
CA$422.53
A$463.73
CHF 239.16
MX$5,539.55
NOK 3,030.56
SEK 2,839.78
DKK 1,930.33
About the Item
George Dannatt (1915-2009)
Deflection of Light - Venice No 1
1995
Mixed crayons on paper
Image: 26.4 x 19.6 cm
Mount: 40.0 x 32.4 cm
Reference no: 1233/1
George Dannatt’s long career as a painter and sculptor ended with the artist’s death in 2009 at the age of 94. He was a respected member of a group of artists impressed by the qualities of the English countryside and coastline, including Terry Frost, John Wells, Bryan Winter and Dennis Mitchell, all of whom were alive to the unique visual appeal of the south and west of England. Working from his studio in Wiltshire and travelling frequently among the villages, hills and coastline of the region, Dannatt would take home pencil sketches of field systems, cliffs and beaches, with notes on colours to be used and shapes to be investigated. He favoured small scale in which he fashioned exquisite, thoughtful abstractions of landscape themes.
- Creator:George Dannatt (1915 - 2009, British)
- Creation Year:1995
- Dimensions:Height: 10.4 in (26.4 cm)Width: 7.72 in (19.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Unframed artwork wrapped in shrinkwrap with acide free cardboard backing.
- Gallery Location:Bournemouth, GB
- Reference Number:1stDibs: LU1589217082742
George Dannatt
George Dannatt’s career as a painter and sculptor ended with the artist’s death in 2009 at the age of 94. He was a respected member of a group of artists impressed by the qualities of the English countryside and coastline, including Terry Frost, John Wells, Bryan Winter and Dennis Mitchell. Working from his studio in Wiltshire and travelling frequently among the villages, hills and coastline of the region, Dannatt would take home pencil sketches of field systems, cliffs and beaches, with notes on colours to be used and shapes to be investigated. His life-long interest in the geometry of nature, together with his virtuosity with colour, texture, tone and balance, are hallmarks of his style. Viewers will notice the very precise geometry in this work which is composed of strong horizontal, vertical and curvilinear elements which interconnect. Dannatt’s life-long involvement in the landscape resulted in an important contribution to the Wessex landscape school – a distinctive and perhaps unique artistic formation that belongs to the established history of modern British art.
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