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Georges Vince
Abstract Composition

circa 1960s

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    Located in London, GB
    'Cubist Still Life', oil on board, with guitar, wine bottle and glasses, (circa 1950s - 1960s), by an unknown artist. A masterly cubist still life representation depicting items atop...
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  • Untitled II
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    'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...
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  • Untitled
    By Erez Yardeni
    Located in London, GB
    'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...
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    2010s Abstract Abstract Drawings and Watercolors

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    Pencil, Ink, Oil, Gouache, Board

    Untitled
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  • 'The Power of Words', Berlin School
    Located in London, GB
    'The Power of Words', oil on board, Berlin School, (circa 1950s-1970s). A thoroughly modern depiction clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism...
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    Mid-20th Century Abstract Expressionist Abstract Paintings

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  • Dinosaur Me & Baby
    By Erez Yardeni
    Located in London, GB
    'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...
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    2010s Abstract Abstract Drawings and Watercolors

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    Dinosaur Me & Baby
    $4,599 Sale Price
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  • Still Life with Fruit
    By Juliane Solignac
    Located in London, GB
    'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'. About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...
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    1960s Abstract Still-life Paintings

    Materials

    Oil, Board

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