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Giovanni Huber1960s Italian Futurist Abstract Oil Painting
About the Item
This painting has been authenticated by the artist and was sold in St Gallen.
Born in Italy in 1939, attended the textile and arts and crafts school of St. Gallen from 1956 to 1959. From 1965 to 1967, Huber worked as a designer and painter in Madeira, Portugal.
Since 1974 fine arts painter. His first lithographs were produced in 1983, since then over 100 editions have been produced for various publishers in Germany and abroad. In recent years, Huber has increasingly been working on large-format watercolors, acrylic paintings, reliefs, sculpture and art in construction.
Die wichtigeren Ausstellungen:
Galerie Marlène
Galerie Vogtei- Herliberg
Artseefeld Zürich
Schloss Laufen Schaffhausen
Kulturparkett Rapperswil
Bücheler-Galerie Kloten
Galerie Pesko, Lenzerheide
Swiss Capital Group, Zürich
Creative Solution, Rieter AG, Winterthur
Stadthaus Kloten, Kloten (Mai 2006)
Galerie Meier, Arth Goldau (November 2006)
Kronengalerie, Zürich (November 2006)
Galerie Elefant, Zurzach
Galerie Marlène, Ottenbach
Eventhouse R-John, Bülach
Cabo Verde Recycling Art, Foursome, London
Art Galerie Rorschach, Rorschach
Galerie Wagner, Wallisellen
Galerie Laforet, Verbier
Gluri-Haus, Wettingen
Isole di Brissago, Brissago
Aterrana, Triesen FL
Galerie Gottfried Keller, Glattfelden
Galerie Kunstforum, Winterthur
Galerie Cevo, Wetzikon
Limmatdruck Spreitenbach
Galerie Lai, Lenzerheide
Galerie Meier, Arth
Museum f. Arte Contemporanea, Funchal, Portugal
Galerie Wullschleger, Kloten
Galerie am Park, St. Gallen
Galerie Gottfried Keller, Glattfelden
Galerie Lai, Lenzerheide
Galerie Commercio Zürich
Galerie Wullschleger, Kloten
Galerie Twerenbolt, Luzern
Galerie zur Münz, Zug
Galerie Lüdin, Basel
Galerie Rosenberg, New York
Galerie Rivolta, Lausanne
Gruppenausstellungen:
1972 Galerie Palette, Zürich
1979 Kunstmuseum Winterthur
1980 Galerie Vontobel, Feldmeilen
1983 Helmhaus, Zürich
1988 Art Basel
2000 Bad Ragartz, Schweizerische Triennale der Skulptur, Bad Ragaz
2002 Chocolats Camille Bloch SA, Courtelary
2005 Galerie Wagner, Wallisellen
Ankäufe:
UBS Zürich & Genève
Bank Leu, Zürich
Credit Suisse, Zürich
Vita Versicherungen, Zürich
Helvetia Versicherungen, St. Gallen
Hyposwiss, Zürich
Zurich Versicherungen
Stadt Zürich
Stadt St. Gallen
Gemeinde Glattfeiden
Firma Streit, Freiburg D
Star TV, Zürich
Kunstmuseum Funchal, Portugal
Grafik-Editionen:
Arta Zürich
Verlag für Originalgrafik Zürich
Manuspresse Stuttgart
Artes Deutschland
A&A Zürich
Ex Libris Zürich
Eigene
Wolfensberger Zürich
Filme:
1987 Portrait von Heinz Baumann
1996 Ausstellung im Kunstmuseum Funchal
1998 Portrait von Star-TV Swissmade
2002 Projekt Cabo Verde Recycling Art
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View AllLarge Colorful 1980s New York Abstract Expressionist Oil Painting Joan Thorne
By Joan Thorne
Located in Surfside, FL
This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989.
It is titled Tango.
Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery.
Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it.
Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret.
Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America.
She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others.
Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others.
"Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. "
"For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, "
--Richard Vine, Art In America, Review, June 1998
Education
Hunter College, New York, M.A.
New York University, New York, B.S.
Awards
2006 Adolf Gottlieb Foundation Grant in Painting
2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy
2001 Pollock Krasner Foundation Grant in Painting
1986 Prix de Rome, American Academy in Rome
Pollock Krasner Foundation Grant in Painting
1983 National Endowment for the Arts, Fellowship in Painting
1980 New York State Council on the Arts, Grant for Painting
1979 National Endowment for the Arts, Fellowship in Painting
1976 Grant in Painting, Rhode Island State Council on the Arts
1975 New York State Council on the Arts, Grant for Painting
1974 Grant in Painting, Rhode Island State Council on the Arts
1972 Artist of the Year, Aldrich Foundation
Select Solo Exhibitions
2015 Black and White Into Color, National Arts Club, New York
2013 Sideshow Gallery, Williamsburg, NY
2005 Chris Winfield Gallery, Carmel, CA
2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica
2002 Feria de Arte International Arcale, Salamanca, España
2001 Andre Zarre Gallery, New York
2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico
1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas,
Santo Domingo, Dominican Republic
1990 1985 Graham Modern , New York City, NY
1989 1986 Ruth Bachofen Gallery, Santa Monica, CA
1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC
1983 Lincoln Center Gallery, Lincoln Center, New York City, NY
Dart Gallery, Chicago, IL
Gloria Luria Gallery, Bay Harbor Island, FL
1982 Nina Freudenheim Gallery, Buffalo, N
1980 Willard Gallery, New York
1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY
1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany
1974 Fischbach Gallery, New York City, NY
1973 Corcoran Gallery of Art, Washington, DC
Select Group Exhibitions
2019 Art On Paper, March 2019, New York, NY
2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY
2015 Outside The Lines/Modernist Drawings, National Arts Club, NY
2014 "National Arbor Day Show", National Arts Club, New York, NY
ArtHamptons Fair, July 10-13, East Hampton, NY
Tribal and Contemporary Art, June 12 - July 28, New York, NY
2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart
2010 Janet Kurnatowsky Gallery, New York
2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy
2002 Gallery Uno 'Spazio Su Misura, Milan, Italy
1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose.
New York Stock Exchange, Invitational
1989 Graham Modern, "Synthesis"
1986 Graham Modern, "Diptychs, Triptychs, Polyptychs"
Sidney Janis Gallery, "American Women Artists", New York City, NY
Nina Freudenheim Gallery, Buffalo, NY
N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...
Category
1980s Post-Modern Abstract Paintings
Materials
Canvas, Acrylic Polymer, Oil
1963 French Japanese Art Brut Abstract Oil Painting Akira Kito Diable et Rouge
Located in Surfside, FL
Akira Kito, Japanese, 1925-1994
Diable et Roge
Oil on Canvas
Titled, signed, and dated 1963 verso
Hand signed lower center
Dimensions: 32 x 12 3/4 in. (81.3 x 32.4 cm.), Frame: 33 1...
Category
1960s Modern Abstract Paintings
Materials
Canvas, Oil
Large Colorful 1983 Neo Expressionist Roberto Juarez Oil Painting Tron Family
By Roberto Juarez
Located in Surfside, FL
Roberto Juarez, (American, 1952- )
Tron Family.
1983. Signed, dated & titled.
Oil and oil stick on canvas.
Provenance: Robert Miller Gallery, NY., Mira Godard Gallery, Toronto, Ontario, CA
Roberto Juarez (born 1952) is an American visual artist known for his paintings, murals, and mixed-media works.
Born in Chicago, (parents of both Mexican and Puerto Rican Latino heritage) Juarez received his B.F.A. at the San Francisco Art Institute (1977) and pursued graduate studies in Television and Film at the University of California, Los Angeles. Juarez frequently employs painterly floral motifs, which are inspired by the traditions of Hispanic, Latin American and non-Western painting. Roberto Juarez has been a significant presence in the art worlds of New York, Miami, Colorado, and beyond since the early 1980s. In 1978, Juarez completed his graduate thesis for UCLA in Paris and decided not to return to L.A. Juarez relocated to New York City, where in 1981, Ellen Stewart offered Juarez a former garage owned by La MaMa Experimental Theatre Club as an artist studio. The space, which had no water or electricity, was offered to Juarez rent-free, provided that he clean and maintain it. He was active in the Neo Expressionist era of the the late 1980's along with Julian Schnabel and David Salle.
Throughout the 80s and 90s Juarez painted the branching forms of trees and flowers. While living in Miami in the 90s, Juarez began to incorporate peat moss, rice paper, and other natural materials in his canvases. Since 2000, and his move from Miami back to New York, Juarez's imagery turned more abstract, typically featuring geometric forms and systems. In a review from this period, art critic Grace Glueck noted that his works feature “a contrast between the softness of the grounds – blends of transparent and opaque materials in muted colors – and their strong geometric-organic motifs." In his use of elements of nature to portray an idyllic unity, Juarez looks back to such early-20th-century painters as Franz Marc and Henri Matisse.
He has done prints with Shark’s Ink Studios in Lyons and Anderson Ranch Arts Center as well as Tamarind Institute.
Roberto Juarez is a visual artist who has been active in the areas of painting, printmaking, drawing, and large-scale public commissions throughout his career.
His work has been exhibited throughout the United States and Mexico, and is included in major museum collections such as the Brooklyn Museum, the Metropolitan Museum of Art, El Museo del Barrio, the Denver Art Museum, the Kemper Museum of Contemporary Art, the Los Angeles County Museum of Art, Pérez Art Museum Miami, the Newark Museum, and the Speed Art Museum. He has completed public art projects and murals for the Miami International Airport, Grand Central Terminal, the Miami-Dade County Courthouse, Whitman College, and the University of Michigan College of Engineering.
Juarez won the Prix de Rome in 1997 and was a Guggenheim Fellow in 2001-2002.
Select Solo Exhibitions
Boulder Museum of Contemporary Art, Boulder, CO
La MaMa Galleria, New York, NY
Pace Prints New York, NY
Charles Cowles Gallery, New York, NY
Kemper Museum of Contemporary Art, Kansas City, KS
Museum of Contemporary Art, North Miami, FL, Bonnie Clearwater, Curator and Author
Robert Miller Gallery, New York, NY
Fredric Snitzer Gallery, Miami, FL
Galeria Ramis Barquet, Monterrey, Mexico
Richard Green Gallery, Santa Monica, CA
Stephen Wirtz Gallery, San Francisco, CA
Andre Emmerich Gallery, Zurich
Mira Godard Gallery, Toronto, Canada
San Francisco Art Institute, San Francisco, CA
Select Group Exhibitions
2018 May China 2018, China National Academy of Painting, Beijing, China
2017 Love Among the Ruins, 56 Bleecker Gallery and Late 80's New York, Howl! Arts Incorporated, New York, NY
2015 Inside the Episode: curated by Jack Pierson, Launch F18 Gallery, New York, NY
2015 MTA Arts Design Illustrates the City, The Museum of American Illustration at The Society of Illustrators, New York
2015 The Annual; National Academy Museum, New York, NY
2008 One of a Kind; Monoprints & Monotypes, Spencertown Academy Art Center, Spencertown, New York
2001 Roberto Juarez and Julio Galan...
Category
1980s Neo-Expressionist Abstract Paintings
Materials
Canvas, Oil Crayon, Oil
"AKEE" Oil Painting, Marylyn Dintenfass Modernist Abstract Expressionist Pop Art
By Marylyn Dintenfass
Located in Surfside, FL
Provenance: Babcock Galleries (bears their label verso.) signed verso with artists monogram signature.
Marylyn Dintenfass (born 1943) is an American painter, printmaker, and sculptor. She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual pleasures.
Marylyn Dintenfass was born in 1943 in Brooklyn, New York and spent most of her early years in Brooklyn and then Long Island. She attended Queens College, and graduated in 1965 with a bachelor's degree in Fine Arts. During this time, the artist worked with Abstract Expressionist painter John Ferren and muralist Barse Miller. Marilyn Dintenfass explored new media and developed her own reaction to abstract expressionism with color, line, and gesture. Dintenfass acquired an appreciation for a broad range of materials that led to major sculpture installations composed of ceramic materials, steel, lead, wood, wax and a variety of pigments and epoxies.
Following a tour of museums in Amsterdam, Paris and Rome, the artist made her way to Jerusalem in 1966. During this journey, the artist worked with painter Ruth Bamberger, studied etching and mingled with the artists and intellectuals of the city. The result was Dintenfass's first architectural commission, to design the “Pop Op Disco,” Jerusalem's first disco. This commission allowed her to work with an array of materials to employ shapes, surfaces, textures, colors, and lights, all of which coalesced in her consciousness that would become important components of her mature personal visual vocabulary. Dintenfass also married and started her family during these years.
Art critic Meredith Mendelsohn writes, “Dintenfass uses luscious colors, repetitive forms, and a gestural intensity that combines Abstract Expressionism and Pop Art.”
Dintenfass often works with oil paint on wooden panels fragmented into parts of a grid. "After completing a painting," writes curator and critic Lilly Wei in a study of Dintenfass' work, "Dintenfass literally takes it apart, treating each panel as a discrete entity, exchanging panels between works in an aesthetic mix and match as she searches for interactions and relationships of color and form that satisfy her sense of visual excitement, sparked by the frisson of the dissonant." In an interview with critic Irving Sandler, Dintenfass speaks of the grid as a necessary, formal restraint for the passion of the gestural marks it contains. Joyce Robinson illuminates; “Dintenfass is at heart, though, a painter, and the grid, with its reference to and notion of modular parts, has remained central to her artistic enterprise, functioning as a kind of Apollonian matrix holding in check the exuberant, vividly colored abstractions of this essentially Dionysian artist.”
Lilly Wei adds, "Ultimately, however, Dintenfass is more sensualist than theorist, and her paintings owe much of their allure to their materiality and the dazzle of color. Her array of ripe, radiant, saturated hues—a palette of gorgeous diversity—can be silkily smooth and nuanced; boldly exuberant; or edgily, feverishly discordant."
The artist's abstract imagery usually appears in her work as various forms of stripes or circles arranged across translucent layers of alternating matte and high gloss textures. In a conversation with gallery owner, John Driscoll, Dintenfass likens these symbols to language that predates the written word, saying her "work relates to communication through the visceral channel." Rooted in autobiography, the artist's paintings also examine the contrast between what she calls the “micro” and the “macro.” At times the shapes simultaneously resemble cells under a microscope and visions of the cosmos. Dintenfass' themes explore the dualities of everyday pleasures; depending on the focus of a series, her symbols might conjure characters, candies, car wheels, or paint itself.
Although known for her paintings, Dintenfass was first recognized for her sculptural installations. Her innovative use of mixed media (ceramics, epoxies, wax, pigments, steel, lead, wood, etc.) transformed understanding of what a “ceramic” work of art could be and firmly fixed her position and influence among a generation of mixed media artists expanding the traditional definitions and boundaries of object and materials to create modern art. The results came as architectural reliefs and installation sculpture unique to her organic but structural personal style. Similar to her paintings, Dintenfass developed a modular language of symbols, amalgams of line and curve, which she would combine to create detailed pictographic languages all her own, what she has called “organic alphabets.” As Ted Castle relates, “Ideas are furtive elements, stolen from the matrix, so as to be reformed by human genius into something unforeseen—a poem, a painting, a game of dominoes, a television set, a brick, a tile, a cup. Marylyn Dintenfass is a master of the transformation of ideas into palpable form.”
Dintenfass has also been commissioned to create many large-scale installations, including works for the State of Connecticut Superior Courthouse; the Port Authority of NY 42nd Street Bus Terminal; IBM in Atlanta, Charlotte, and San Jose; The Baltimore Federal...
Category
Early 2000s Abstract Abstract Paintings
Materials
Oil, Panel
Mod Abstract Expressionist Modernist Oil Painting Dog Drawing Edward Avedisian
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
7.5 X 5.75
Oil paint on wood panel
This is not signed on front. It bears his name verso.
Provenance: Hudson, N.Y. estate of noted Art Collector Albert...
Category
1960s Abstract Expressionist Animal Paintings
Materials
Oil, Wood Panel, Graphite
Large French Australian Bold Graphic Abstract Pattern Oil Painting Ces McCully
Located in Surfside, FL
Ces McCully, Australian, b. 1982
Untitled (Altar), 2021
Signed and dated CES '21 on the reverse
Oil on canvas
39 1/2 x 31 1/2 inches (100.3 x 80 cm)
Unframed
Ces McCully (born 1982, Melbourne, Australia)
Now based in Southern France, Ces McCully is a contemporary Australian artist, whose work is collected and shown internationally.
Rachael McCully's oeuvre includes text based pieces which utilize chance in color relationships, and abstract geometric paintings which often have a meditative effect; both sharing autobiographical elements with a reflection on society, and a minimalist approach. "I dabbled in painting, photography, writing and design over the years," before settling more firmly on painting. Feminist icons Cindy Sherman and Barbara Kruger were amongst her inspirations as she began studying art. However now Rachael McCully-Kerwick is forging her own visual language in the south of France.
Ces McCully explores themes of female relationships and identity through minimalistic forms, geometric compositions and repeated tribal motifs. Her work, which moves between text pieces and abstract painting, is collected and shown internationally. In McCully’s typography works, she uses vivid colours to create stylised and geometric typographical pieces, divulging secret, and often brutally honest thoughts. Muted-color, cloth-like ‘Patchwork’; geometric and linear works including ‘Mono’ and ‘Shape’; and three-dimensional Cubes with bold colors which brighten up the space.
More recently however, we have seen McCully embrace the folk art like characteristics of her work, incorporating religious iconography and human figures into her paintings.
Her works are held in private collections internationally and has been shown within Europe and Australia. Mccully has had her work on display in the Louis Vuitton flagship store, Sydney CBD.
SELECT SOLO EXHIBITIONS
2022 More Than This, Breach, Miami, USA
2021 Strange Like Me, PIERMARQ*, Sydney, Australia
2019 A Cure for Melancholy, Galerie 42B, France
2017 Beyond the Blablabla Sky, Galerie Rompone, Germany
SELECTED GROUP EXHIBITIONS
2022 PINK, PIERMARQ*, Sydney, Australia (with new work by Maximilian Daniels, Gabriele Herzog, Ces McCully, Galina Munroe, Rob Tucker, Andrew Salgado and Spencer Shakespeare).
2019 Bluerider Art Gallery, Taiwan
Delphian X Guts Gallery, London, UK (Douglas Cantor, Florence Hutchings, Geoffrey Bohm, Igor Moritz...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
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