Gosha Ostretsov

"The Ancient Testament" Pop Art Painting 55" x 79" inch by Gosha Ostretsov

2019

"Incomplete Solar System" Painting 55" x 79" inch by Gosha Ostretsov Acrylic & enamel on canvas Born in 1967, in Moscow Lived in Paris for ten years (1988 - 1998), now lives and wo...

"Magic Day" Painting 47" x 47" inch by Timur Ernst Akhmedov Oil, Watercolor & Acrylic on Canvas Timur Akhmedov is an artist from Uzbekistan. He was born ...

"Cartwheels" Painting 43" x 37" inch by Mohamed Hussein Born 1989, Mohamed Hussein is a Fayoum native whose semi-abstract landscape and urban vistas a...

"Windows" Painting 71" x 47" inch by Mohamed Hussein Born 1989, Mohamed Hussein is a Fayoum native whose semi-abstract landscape and urban vistas are ...

"Favela Triptych I" Painting 71" x 31.5" inch by Mohamed Hussein Born 1989, Mohamed Hussein is a Fayoum native whose semi-abstract landscape and urban vistas are captured with a cul...

"Entangled" Abstract painting 47" x 31.5" inch by Maged Mikhail ARTIST BIO: Maged Mikhail was born in the Upper Egyptian city of Sohag in 1982. He studied at the Faculty of Fine Arts in Cairo, to graduate in 2004 with a major in Monumental Sculpture. His apprenticeship with the renowned Artist, Adam Henein, for nearly six years after graduation, was a cornerstone in his artistic development. He then received the Ministry of Culture’s full production sponsorship in the period between 2008 and 2011. During that time, he worked with different materials, sculpting in plaster, bronze, and stone, as well as producing ink drawings on paper. To this day, he works with all these mediums. Mikhail’s work focuses on ancient civilizations and collective heritage and seeks to understand their connection with everyday contemporary life. This direction began to take shape in his work starting in 2013. By 2016 he had developed an approach to Ancient Egyptian art and found his way of transforming it into abstract and contemporary sculpture. His current influences are two main elements: Architecture (Ancient Egyptian, Coptic, and Islamic) and Hieroglyphic symbols. The influence of architecture can be seen in the clean, geometric lines of his compositions and also in his approach with monumental pieces of public art. The Hieroglyphics are integrated into Mikhail’s work as abstracted sculptural interpretations. A sculpture then becomes a word to be both reads and viewed as an image. 2004 Bachelor of Fine Arts, Cairo, Egypt 2005-2010 Studied Sculpture under Egyptian Artist Adam Henein 2008 -2011 Egyptian Ministry of Culture Scholarship Exhibitions 2020 Solo exhibition, Karim Francis Gallery...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

This mixed media painting on canvas measures 36x54" framed size 38x56". Titled "Brando and G", it is in Ceravolo's classic urban Pop style. In this mixed media painting on canvas ...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...

"Lone Star, True But Whatever There was I time when I ached for the world. Before cell phones, before social media, I felt the urgency of environmental damage, of social injustice. Nothing seems to have gotten better. I'm not numb to it, but in some way I've become flip, a resigned humor like a layer of scar tissue between my concerns and the abrasion all around. Still, I was surprised how playful these paintings became. Disasters intertwine: Urns, much like the one that held my twin sister's ashes, a familial disaster, come to the forefront, variations of childhood memory. Images from photos I took in Port Aransas...