Gregg Louis

DEEP SKY

2023

Nohra Haime Gallery is pleased to present No Empty Sky, a solo exhibition by Saint Louis-based artist Gregg Louis. The exhibition showcases a new series of constellation paintings...

Gregg Louis is a multidisciplinary artist born in St. Louis, Missouri and based in Brooklyn, New York. His works, in diverse formats, investigate fundamental philosophical quandaries with a great sense of playfulness and humor. Aspects of his work often revolve around perception, existentialism, and the construction and destruction of belief systems. Louis’ sculptural work uses the objet trouvé, or found object, as a jumping off point. Meditating on our perceptions of everyday life, he often incorporates wigs, light bulbs, TV antennas, kitchenware, and other domestic objects to create uncanny forms. Through a process of alterations, sometimes violent, Louis twists...

Gregg Louis is a multidisciplinary artist born in St. Louis, Missouri and based in Brooklyn, New York. His works, in diverse formats, investigate fundamental philosophical quandaries with a great sense of playfulness and humor. Aspects of his work often revolve around perception, existentialism, and the construction and destruction of belief systems. Louis’ sculptural work uses the objet trouvé, or found object, as a jumping off point. Meditating on our perceptions of everyday life, he often incorporates wigs, light bulbs, TV antennas, kitchenware, and other domestic objects to create uncanny forms. Through a process of alterations, sometimes violent, Louis twists...

acrylic and gold metal leaf and lime plaster on wood

Gregg Louis is a multidisciplinary artist born in St. Louis, Missouri and based in Brooklyn, New York. His works, in diverse formats, investigate fundamental philosophical quandaries with a great sense of playfulness and humor. Aspects of his work often revolve around perception, existentialism, and the construction and destruction of belief systems. Louis’ sculptural work uses the objet trouvé, or found object, as a jumping off point. Meditating on our perceptions of everyday life, he often incorporates wigs, light bulbs, TV antennas, kitchenware, and other domestic objects to create uncanny forms. Through a process of alterations, sometimes violent, Louis twists...

abstract watercolor and ink painting of intertwined tubular forms on archival paper

Ed Touchette (b. 1948) is inspired by a love of architecture and public spaces to make paintings which express joyful wonder at our built environment — ol...

Bold yet delicately portrayed, "So Plant, So Animal II" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence o...

Entitled 'Il Passato Imano,' translated to 'The Past Remains' in Italian, this artwork on cotton fabric showcases a statue of a man, accompanied by an abstracted shadow. The bust, pa...

The canvas comes to life with a captivating yet understated painting, heavy on texture, using antique linen, crafted with a unique blend of dye, pigment, and acrylic. The artist's su...

Embark on an artistic journey with "Oh Etruria," an abstract piece exuding both texture and boldness, elegantly presented within a frame. Drawing inspiration from the ancient region ...

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...