Holland Geibel

Untitled Contemporary Muted Pink, Blue, Green, & Orange Hard-Edge Abstract

2025

Contemporary abstract painting by local Houston artist Emmanuel Araujo. Currently featured in the show "5 Artists 5 Rooms" at Reeves Art + Design in Houston, TX. Artist Biography: ...

Contemporary abstract painting by local Houston artist Max Kremer. Currently featured in the show "5 Artists 5 Rooms" at Reeves Art + Design in Houston, TX....

Contemporary abstract painting by local Houston artist Max Kremer. This piece is included in his solo show, "Perfect Day" at Reeves Art + Design in Houston, TX. Artist Biography: Max Kremer (b. 1999, Houston, TX) is currently working in Austin, Texas. Kremer obtained his BFA from the University of Texas in 2022. Past projects include his solo show Cliffhanger with Blank Check Gallery in 2019, participation in the Midas Touch group show curated by Preston Douglas...

Blue and white landscape painting by contemporary Texas artist Max Kremer. The work features a clean, blue, contoured outline of a mountain range set against a white background. Currently unframed, but options are available. Artist Biography: Max Kremer (b. 1999, Houston, TX) is currently working in Austin, Texas. Kremer obtained his BFA from the University of Texas in 2022. Past projects include his solo show Cliffhanger with Blank Check Gallery in 2019, participation in the Midas Touch group show curated by Preston Douglas...

Amanda Horvath Secret Spring Original Acrylic Painting on Canvas Acrylics on canvas Image size: 61cm x 61cm x 3.5cm Sold Unframed “Secret Spring” is inspired by the lovely woods clo...

Series: Abstract Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that ...

Calgary’s Aron Hill creates unique, pop art Inspired by the dynamic form and colour of abstract artists like Jack Bush. This piece in acrylic and ink on canvas combines architectural...

Above the Beach No 5 is a part of a series in which Rick Rivet is probing the environmental crisis in Arctic regions. The polar territories of Canada are under serious and imminent threat resulting from pollution, global warming, and poor resource management. Sport hunting is depleting animal resources that local populations need to survive, global warming is melting the polar icecaps threatening polar bear populations, and lead pollution is resulting in poisonous biomagnification levels in some sea animals while plastic pollution is trapping and suffocating others. The major degradative pollution began in the 1950s from nuclear testing which introduced radioactive isotopes produced by nuclear fission into plant and animal life, the effects of which are lethal and long-lasting. The melting resulting from global warming has increased to such a degree that the previously, and notoriously, challenging Northwest passage has opened wide now allowing tourist ships to glide through, further contributing to oil pollution and environmental wear and tear. The red horizon line in Above the Beach No 5 sketching the intersection of the land with the sky demarcates the pollution that is penetrating every pore of our environment. The snaking cream-coloured lines in the foreground indicate the different paths taken, the journeys that were cut short, the short-sighted policies that taxed the land and fell flat leaving no solutions, the hunting paths, the lack of direction and clear vision. Nevertheless, this painting is not about doom it is about hope. The shock of bright green grass edging the bottom is flecked with yellow from the radiating sun. The sun, high in a cold blue arctic sky, is twice hallowed by a glow of white suggesting reverence for its ability to regenerate life and for us to carry forward together if we build a sustainable and long-sighted path together. Richard James Rivet was born in the remote area of Aklavik in the Northwest Territories of Canada in 1949. His early years were spent growing up in the delta in a Metis family which made their living by trapping, hunting and fishing. Of Metis background, Rivet's Indigenous roots, and his experience in growing up in Canada's North, have been important factors in his development as an artist. Since 1989, Rivet has worked fulltime on his artwork, mainly concentrating in acrylic painting, mixed media and collage on canvas, with some drawing. Influences in his artwork are varied and derive from Shamanistic imagery of ancient peoples the world over (North American Indian, Inuit, Australian Aborigine, Norse, Oceanic, Siberian). Equally influential are Western and contemporary influences from various artists and art movements (such as: Edvard Munch, German Expressionism, Abstract Expressionism, Antoni Tapies, and Paterson Ewen...