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Hortense Mattice Gordon
'Abstract in Coral and Jade', Painters Eleven, Ontario, Canadian Modernist Oil

1949

$4,800List Price

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'Woman Seated', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Signed verso 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and painted circa 1965. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...
Category

1960s Post-Impressionist Portrait Paintings

Materials

Oil, Board

'Venice', Paris, San Francisco, Tokyo Sogenkai, Japan, Large Venetian Vedute Oil
Located in Santa Cruz, CA
Signed lower left, 'T. Takashima' for Tsuneo Takashima (Japanese, 1922-1975) and dated 1968; additionally signed, verso, in Kanji, 高島 常雄 (Takashima Tsuneo), titled, ベニス (Venice) and ...
Category

1960s Landscape Paintings

Materials

Canvas, Oil, Board

'Young Woman with a Violin', Paris, Cubism, Royal Danish Academy, Charlottenborg
By Mogens Erik Christien Vantore
Located in Santa Cruz, CA
'Young Woman with a Violin' by Mogens Vantore. Paris, Cubism, Royal Danish Academy, Charlottenborg ---- Signed center left, 'M. Vantore' for Erik Mogens Christian Vantore (Danish, 1...
Category

1910s Still-life Paintings

Materials

Canvas, Oil, Board

'Marguerites', Paris, Louvre, Salon d'Automne, Carmel, California, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
'Marguerites' by Victor Di Gesu, 1964. Paris, Louvre, Salon d'Automne, Carmel, California, Los Angeles County Museum of Art, San Francisco Art Association ---- Signed lower left, "D...
Category

1960s Post-Impressionist Still-life Paintings

Materials

Oil, Board

'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
By Emilio Rodríguez Larraín
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract' by Emilio Rodríguez Larraín, 1964. NYMoMA, Paris, XXXII Venice Biennale, Museo de Arte de Lima, Lima, Peru ----- Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
Category

1960s Abstract Abstract Drawings and Watercolors

Materials

Fiberboard, Laid Paper, Oil

'Still Life with Imari Bowl', Paris, Japanese Woodblock, Post-Impressionist Oil
By Victor Isbrand
Located in Santa Cruz, CA
'Still Life with Imari Bowl' by Victor Isbrand. Paris, Japanese Woodblock, Post-Impressionist Oil ----- Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. A dramatic, Post-Impressionist still-life showing a group of items including a fluted, Japanese porcelain vase holding an informal arrangement of variegated daisies, a lobed Imari bowl with fruit and a Japanese woodblock print set...
Category

1940s Post-Impressionist Still-life Paintings

Materials

Canvas, Oil

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