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Hsiao ChinDipinto Opera di Hsiao Chin Orizzonte, 19621962
1962
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$18,785.31
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£13,898.78
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€15,600
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CA$25,974.03
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A$28,516.25
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CHF 14,876.99
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MX$345,086.27
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NOK 186,459.93
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SEK 175,694.28
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DKK 118,778.84
About the Item
Acrilico e tecnica mista su tela. Firmato e datato in basso al centro.
Hsiao Chin, artista di origine taiwanese ma che ha vissuto e lavorato a lungo a Milano, ha concepito l'arte come un percorso di crescita e conoscenza, un viaggio spirituale attraverso il tempo e lo spazio, che va al di là di qualsiasi limite geografico e culturale.
Nelle sue opere le pratiche spirituali dell'Oriente si coniugano perfettamente con le sperimentazioni artistiche dell'Occidente, da lui conosciute per i lunghi soggiorni in diversi paesi del mondo.
Se da un lato i suoi dipinti possono far pensare a una pagina scritta in cui l'artista fa appello alla simbologia orientale, realizzando un messaggio fatto di segni sottili, quasi ideogrammi, cui si alternano forme geometriche evocatrici di significati atavici e condivisi (cerchi, quadrati, spirali…); dall'altro le audaci scelte cromatiche, cariche di energia, e le pennellate, talvolta frenetiche e sfavillanti, talaltra più liquide e calibrate, appaiono “occidentali”.
Di sè l'artista ha detto: “Oggi la questione se la mia arte sia cinese o globale non è più importante per me. Cerco di andare oltre questi confini, con l'intento di creare nuove opere che non siano condizionate da tecniche e idee.” (Hsiao Chin, 2016).
L'opera qui presentata, datata 1962, appartiene al periodo trascorso da Hsiao Chin in Europa prima e a New York poi, in cui entra in contatto con tutte le nuove correnti dell'astrattismo, che determinano nella sua pittura “un nuovo corso”, in cui appare evidente l'avvicinamento al minimalismo americano e alla pittura hard edge (pittura dai "contrasti netti", ovvero stile pittorico caratterizzato da bruschi e netti contrasti tra diverse aree di colore, che possono essere semplici forme geometriche compiute o linee rette. Il colore di ogni area è prevalentemente omogeneo e monocromo) .
L'opera è presentata in cornice.
L'opera proviene da una collezione privata milanese, che documenta i contatti diretti della famiglia con l'artista attraverso una serie di immagini fotografiche in sua compagnia (allegate copie).
- Creator:Hsiao Chin (1935, Chinese)
- Creation Year:1962
- Dimensions:Height: 37.01 in (94 cm)Width: 31.11 in (79 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milan, IT
- Reference Number:1stDibs: LU680316676092
Hsiao Chin
Hsiao Chin greatly influenced the development of abstract painting in China. He was born in Shanghai in 1935. After the first art studies, in 1956, he took part in the founding of the Ton-Fan group, the first Chinese abstract painting movement. In 1957, at the Mataró Fine Arts Museum, near Barcelona, he held his first solo show and a group exhibition dedicated to the Ton-Fan group. At the end of the fifties, his reflection on Taoist philosophy began. In 1961, together with Antonio Calderara, he founded the Punto movement. His artistic research combines elements of oriental culture and spirituality with the profound knowledge of western artistic modernity. Since his first solo show at the Mataró Fine Arts Museum, Chin has held more than 120 solo shows and has participated in many group exhibitions throughout Europe, Taiwan and in the United States.
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