Hsin-Lin Chiao

"Unity, " Acrylic, Colored Pencil, & Molding Paste signed by Hsin-Lin Chiao

2001

Organic Geometry (Mandala V) (Abstract painting) Colour pencil, acrylic paint, modelling paste, and oil paint on paper— Unframed. Although the initial inspiration for a painting mig...

Chroma Riff (Mariner I) (Abstract painting) Colour pencil, acrylic paint, modelling paste, and oil paint on paper— Unframed. Although the initial inspiration for a painting might co...

Chroma Riff (Mariner II) (Abstract painting) Colour pencil, acrylic paint, modelling paste, and oil paint on paper— Unframed. Although the initial inspiration for a painting might c...

Artist Commentary: Although the colors are muted and subtle, there is energy in the splattering and textures in this painting, which contrast with the geometric scaffolding. Keyword...

This painting was created as a stylization of the beauty of a peacock. The painting is made with deep texturing and impasto. The painting combines elements of living nature combined ...

Heavily textured with paste, crackle, and acrylics This piece was inspired by a trip Shelly made to Orange County in 2019. In her own words; “On a trek in the mountains there were a...

Heavily textured with paste, crackle, bitumen, fabric and acrylics. In the words of the artist; “this piece reminds me that we are all more than what we can see on the surface”. Signed on reverse so that it can hang whichever way you choose. NB:- This piece may work well as a diptych with Scar Face...

Layers of paint build up this neutral palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Closer up, it's about subtle textures, intuitive mark-making, playful scribbles and remnants of colour. The blending of these two elements invites the viewer to experience a calm while stimulating, visual response. // Andrea Stajan-Ferkul is a Canadian artist whose work conveys a sense of experimentation through the use of paint, fabric collage and abstract mark-making. While not exclusive to fashion, dresses have been a compositional focus throughout her oeuvre. With an emphasis on timelessness, her series of dress paintings shift between realistic representation and interpretive impressions. In contrast, her series of abstract works embrace minimalism, considerate to a restrained palette and composition. Stajan-Ferkul began her career in fashion advertising before shifting her focus to fine art in 2000. Her work has been exhibited widely through galleries and art fairs, and hangs in private and public collections across Canada, US and Europe. A graduate of Sheridan College of Art and Design, Stajan-Ferkul's paintings can be found in numerous public and private collections, her work has been published in magazines and book covers, and prints are distributed internationally. In 2009, Stajan-Ferkul was invited to exhibit her work in Ottawa’s Rideau Hall, hosted by (then) Governor General of Canada, Michaëlle Jean. keywords: abstract, minimal art...

This highly detailed artwork seamlessly blends acrylic, pencil and colour pencil in a freeform style, maintaining a delicate balance between expressiveness and refinement. The distre...

This is a series of four contemporary abstract paintings utilizing a distinct neutral palette throughout. Emphasizing a simplified composition, this minimal yet captivating grouping ...