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Ibrahim Abd Elmalak"Waiting II" Figurative Painting (FRAMED) 19" x 11" in by Ibrahim Abd ElmalakCirca 1980s
Circa 1980s
$3,750
£2,859.95
€3,295.41
CA$5,356.78
A$5,889.17
CHF 3,044.20
MX$70,467.66
NOK 38,432.37
SEK 36,031.42
DKK 24,611.96
About the Item
"Waiting II" Figurative Painting (FRAMED) 19" x 11" in by Ibrahim Abd Elmalak
Ink & Acrylic on Paper. Signed
Signed
The selection of Abd Elmalak’s drawings is reflective of a compositional method that is based on free-flowing and distinct lines and contours that he uses to amalgamate caricature-Esque female figures with monuments and landmarks from his travels, script, animals, and natural elements into interconnected and unified tapestries. His selected paintings explore themes of entrapment, companionship, oppression, emancipation, and faith, which he explores and animate through his demure and virtuous women subjects, all of which exhibit a certain poise, elegance, and depth of character.
- Creator:Ibrahim Abd Elmalak (1944 - 2011, Egyptian)
- Creation Year:Circa 1980s
- Dimensions:Height: 19 in (48.26 cm)Width: 11 in (27.94 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085110282112
Abd Elmalak graduated from the Faculty of Fine Arts Cairo in 1969 after which he completed his studies at the Italian Arts Academy of Rome in 1976-77. He featured in numerous solo exhibitions in Egypt and then abroad in many countries across Europe, Africa, and America. He was a press illustrator and art critic at the widely circulated Sabah El Kheir Magazine. He also served on the board of the Association of Fine Arts in Egypt as a chief consultant for decor at the Ministry of Information and the Egyptian Armed Forces from 1969 to 1976 and authored a book on one of Egypt’s greatest pioneers Salah Abdel Kerim (1925-1987) in 2001, under whose mentorship he studied while at university. Abd Elmalak’s diverse portfolio exemplifies not only his versatility but perhaps even more importantly his unique ability to blend the conventional and unconventional in thoughtful harmony, which esteemed Modernist and author Hussein Bicar (1913-2002) deemed a “highly intelligent duality between the kinetics of the universe and its stillness”.
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