Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

J Antonio Farfan
Sun Dial; Aged Drawing No. 20

2023

About the Item

Static and dynamic symbols live, rotate, grow, die and explode underneath vaporous clouds of color or find respite in an interior structure. Man-made machines move with intention surrounded by organic forms that grow and live simultaneously with their newer counterparts. There’s an intentional effort at attracting the viewer into contemplation and further investigation of light and dark and even the question of perception. The artist’s vocabulary is heavily influenced by medieval philosophy and surrealism with a strong link to metaphysical concerns and measurable reality which include man made concepts and machines.
  • Creator:
    J Antonio Farfan (American, Mexican)
  • Creation Year:
    2023
  • Dimensions:
    Height: 19.5 in (49.53 cm)Width: 22 in (55.88 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Dallas, TX
  • Reference Number:
    1stDibs: LU1472214228482

More From This Seller

View All
Personal Sun
Located in Dallas, TX
With its roots deeply intertwined in the enduring legacy of medieval and early Renaissance art, this pastel establishes a connection to artistic lineage and transports observers to t...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Paper, Pastel, Wax Crayon

Untitled #6
Located in Dallas, TX
A photographer from the age of five, Dicke started painting at Culver Military Academy in 1963 under the tutelage of the late Warner Williams, a bas-relief, realist artist. Later, he...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Acrylic, Mixed Media, Photographic Paper

Untitled #7
Located in Dallas, TX
A photographer from the age of five, Dicke started painting at Culver Military Academy in 1963 under the tutelage of the late Warner Williams, a bas-relief, realist artist. Later, he...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Acrylic, Mixed Media, Photographic Paper

Diego
Located in Dallas, TX
A photographer from the age of five, Dicke started painting at Culver Military Academy in 1963 under the tutelage of the late Warner Williams, a bas-relief, realist artist. Later, he...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Acrylic, Mixed Media, Photographic Paper

Hope
Located in Dallas, TX
Every shape of his artworks is 100% unique. Together with his eye & passion for photography, Johannes developed a combination of abstract creation, deconstruction and realistic paint...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Wood, Acrylic

Hope
$4,800 Sale Price
20% Off
Organized Chaos
Located in Dallas, TX
Every shape of Johannes Ehemann's artworks is 100% unique. Together with his eye & passion for photography, Johannes developed a combination of abstract creation, deconstruction and ...
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Wood, Oil, Acrylic

You May Also Like

Russian Contemporary Art by Lena Ochkalova - Wind & Water
Located in Paris, IDF
Ink, graphite, oil pastel and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm
Category

2010s Contemporary Abstract Paintings

Materials

Paper, Charcoal, Ink, Pastel, Graphite

Pile VIII
By Seth Clark
Located in Philadelphia, PA
This is an original paper, charcoal, pastel, graphite, and acrylic on wood panel artwork by Seth Clark measuring 48”h x 72”w. About the Collection // Continuing the artist's ongoin...
Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Wood, Charcoal, Pastel, Acrylic, Archival Paper, Graphite

Abstract Beeswax Line Painting Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

From One Lonely Cloud
Located in Clayton, MO
In From One Lonely Cloud color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype ...
Category

2010s Abstract Abstract Paintings

Materials

Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...

Beneath The Evening Moon
Located in Clayton, MO
In Beneath The Evening Moon color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monoty...
Category

2010s Abstract Abstract Paintings

Materials

Wax Crayon, India Ink, Encaustic, Archival Paper, Rice Paper, Pen, Color...

Amid The Blue Waves
Located in Clayton, MO
In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...
Category

2010s Abstract Abstract Paintings

Materials

Wax Crayon, Sumi Ink, India Ink, Encaustic, Archival Paper, Rice Paper, ...

Recently Viewed

View All