Jacques Zimmermann 1

Paysage de Pierres Mortes, Abstract Painting by Jacques Zimmermann 1959

1959

Max Mansell is an Aboriginal Australian artist. You can see a glimpse into the artist’s mind on the verso of this painting where he wrote; “The Land has dried up and the people can’t...

Completed when the artist was only 25, this painting references a fight between two mythological figures. Commonly called Furies, the Erinyes or Eumenides were Greek goddesses of ven...

Although pioneered by Jackson Pollock, many artists have taken abstract expressionism and brought it into the contemporary. Gamerov captures movement and color with bold enthusiasm i...

At once an Abstract Expressionist and Color Field painting, this large colorful work by Robert Goodnough bursts with the energy of confetti. This acrylic and oil on canvas painting i...

Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that the artist applies with a confident and exuberant brush. Planes of color are disrupted ...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Untitled composition by Janet Hagopian. Signed lower center. Certificat is included. Unframed size 50.5x43 inches, oil on canvas. Framed size: 57x48 inches, oil on canvas. "In my ...

Author: Tang Chenghua Title:Series The Exotic Landscape No.22-7 Date: 2022 Medium: Mixed Media Dimension: 72 x 60 cm About Tang Chenghua Tang Ch...