Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

James Koenig
Sienna Abstraction

1962

About the Item

An original abstract expressionist painting created in 1962 by American artist James Koenig. This work will be featured in our exhibition "Draw Near" which will run from March 11 through May 14.
  • Creator:
  • Creation Year:
    1962
  • Dimensions:
    Height: 28 in (71.12 cm)Width: 42 in (106.68 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Buffalo, NY
  • Reference Number:
    1stDibs: LU1392878733

More From This Seller

View All
Trees Park Slope
By Harriet Holden Nash
Located in Buffalo, NY
Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum School at...
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Vintage Mid Century Modern Abstract Expressionist Ethereal Organic Oil Painting
By Piry Rame
Located in Buffalo, NY
Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.
Category

1960s Abstract Expressionist Landscape Paintings

Materials

Canvas, Oil

Pink and Red Abstraction
By James Koenig
Located in Buffalo, NY
An original abstract expressionist oil painting by American modern artist James Koenig. This work is currently on view at the Draw Near exhibition at Benjaman Gallery.
Category

1960s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Large Signed Exhibited Abstract Expressionist Original Framed Oil Painting
By Adele Becker
Located in Buffalo, NY
Antique American signed abstract expressionist oil painting. Oil on canvas. Signed. Framed. Image size, 41.5L x 31.5H.
Category

1950s Abstract Expressionist Landscape Paintings

Materials

Canvas, Oil

Antique American Abstract Expressionist New York School Circa 1940 Oil Painting
Located in Buffalo, NY
Antique American modernist abstract expressionist painting. Oil on board, circa 1940. Image size, 24L x 20H.
Category

1940s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Huge Antique American School Abstract Expressionist Original NYC Oil Painting
Located in Buffalo, NY
Antique American modernist abstract oil painting. Oil on canvas. No signature found. Framing is available.
Category

1950s Abstract Expressionist Landscape Paintings

Materials

Canvas, Oil

You May Also Like

"Yellow and Black 3" from the series "Space Landscape"
Located in Zofingen, AG
This oil painting is an expressive abstract canvas filled with dynamics and energy. The composition is based on the powerful movement of the form, twisting into a rapid whirlwind. T...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

"Yellow and Black 1" from the series "Space Landscape"
Located in Zofingen, AG
This oil painting on canvas is an abstract composition made with smooth wavy lines and rich colors. The upper part of the canvas is filled with warm shades of yellow, orange and red,...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Estate stamped and numbered verso; initialed “SF22” verso. 48.25 x 34.25 in. 49.25 x 35 in. (framed) Custom framed in a solid maple floater. Provenance Estate of Samuel Feinstein McCormick Gallery, Chicago Samuel Lawrence...
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Untitled
By Paul Brach
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right. 41.75 x 61 in. 44 x 63 in. (framed) Custom framed in a hardwo...
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Untitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right. 50.5 x 38.25 in. 51.5 x 39 in. (framed) Custom framed in maple. Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal. On December 12, 1942, Appleby enlisted in the U.S. Marine Corps, subsequently seeing action in the Marshall Islands. Upon the conclusion of the war, he was stationed for a year in Yokohama, Japan, where he studied local engraving techniques. In 1947, after returning home, Appleby moved to Mexico for a year to study mural painting in San Miguel de Allende. Following his sojourn in Mexico, Appleby briefly returned home to the U.S. before ultimately relocating to Paris. There, he joined a lively community of expatriate American artists involved with what would come to be known as the “School of Paris.” Appleby befriended fellow Americans Sam Francis and Jackson Pollock, exhibiting extensively throughout France with the former. He also regularly visited the atelier of Fernand Léger, and was represented in the "Salon de Réalités Nouvelles" and the “Salon d’Automne” during the 1950s and 60s. From 1955 to 1961, Appleby participated in group exhibitions in Chicago, Leverkusen (Germany), Lisbon, London, and Paris. He also had three notable solo exhibitions during this period: Studio Facchetti, Paris (1956); Martha Jackson Gallery, New York (1957); and the American Cultural Center, Paris (1959). In 1957, Appleby’s work was presented at the 62nd American Exposition of Painters and Sculptors at the Chicago Art Institute, where he was awarded the Norman Wait Harris Bronze Medal and Prize. Answering the famed artist André Lhote’s call to help save the village of Alba-la-Romaine in the Ardèche, Appleby and his wife - the artist Hope Manchester - purchased a home in the village in 1950, ultimately settling there until their deaths. Source: Taylor Graham Gallery
Category

1950s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Recently Viewed

View All