James Lumsden

Lucent (2/19) by James Lumsden - Abstract color painting, pink and blue

2019

Contrapuntal (8/23) is a unique acrylic on panel, gloss finish painting by contemporary artist James Lumsden, dimensions are 60 × 50 cm (23.6 × 19.7 in). The artwork is signed, sold...

Contrapuntal (4/19) is a unique acrylic on canvas, gloss finish painting by contemporary artist James Lumsden, dimensions are 50 × 50 cm (19.7 × 19.7 in). The artwork is signed, sol...

Resonance (3/19) is a unique acrylic on canvas, gloss finish painting by contemporary artist James Lumsden, dimensions are 50 × 40 cm (19.7 × 15.7 in). The artwork is signed, sold u...

Resonance (1/22) is a unique acrylic on canvas, matt finish painting by contemporary artist James Lumsden, dimensions are 50 × 50 cm (19.7 × 19.7 in). T...

Pink Lush (Abstract Painting) Painting / acrylics, epoxy resin, phosphorescence on wood - Unframed This artwork is exclusive to IdeelArt. Danny Giesbers is a Dutch, autodidact a...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

48"x36" abstract composition in golden yellow, rose pink and turquoise on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...