Janet DyerLone Tree IV, Abstract Painting2021
2021
About the Item
Artist Comments
Artist Janet Dyer creates many variations of this same landscape scene, utilizing different color palettes and varying the number of details in each. In this iteration, Janet defines the tree trunks while blurring various greens and orange for the foliage and leaves. Thinly lining the water's edge, reflections appear on the water, creating a mirror image on the bottom half of the composition. "The farther away I get from the original, the freer the interpretation," says Janet.
About the Artist
Janet Dyer doesn’t like to spend too much time talking about her art, as she’d rather be creating it. She doesn’t have an artist statement, the traditional statement of purpose crafted by visual artists to explain their method. On becoming an artist, Janet simply states, “I picked up some crayons and pencils and brushes and kept using them.” She believes the process of creating art is equal in importance to the final product. The artist enjoys relinquishing control of her paintings to find delightful surprises in her so-called “mistakes.” Janet's expressively gestural yet bucolic landscapes are a testament to the success of her method.
Words that describe this painting: landscape, water, calm, quiet, trees, pond, lake, nature, abstract, nature, acrylic painting, green
Lone Tree IV
Janet Dyer
Acrylic painting on stretched canvas
Finished white edges
Ready to hang
One-of-a-kind
Signed on front
2021
20 in. h x 20 in. w x 1 in. d
1 lbs. 0 oz.
- Creator:
- Creation Year:2021
- Dimensions:Height: 20 in (50.8 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Lone Tree IV. Janet Dyer. Acrylic painting on stretched canvas. Finished white edges. Ready to hang. One-of-a-kind. Signed on front.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 713291stDibs: LU92218125972
- ShippingRetrieving quote...Shipping from: Medford, MA
- Return Policy
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This abstract painting invites quiet reflection, evoking the stillness of a misty landscape mirrored in calm waters. A gentle palette of greens and blues wash...
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Building up many layers of color in oil paint and cold wax medium, Valerie then used scrapers to reveal the tree trunks in an abstract landscape. Warm orange and yellow trees standing in front of a cool blue and green background. Heavy texture complements the expressionist palette. The piece is part of a series of three works. Although Valerie did not create them as triptych, the three hang well close together.
About the Artist
Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany” was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.”
Words that describe this painting: woods, forest, trees, nature, expressionism, nature, non-representational, oil painting, blue
Bare Trees...
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