Jean Feinberg

DD3.15 (Abstract Painting)

2015

Handmade abaca paper. Unframed. This subtle piece has been created at Dieu Donné in New York City, a non-profit studio for handmade paper art. DD3.15 is handmade abaca paper, which...

DD3.15 (Abstract Painting) Handmade abaca paper. Unframed. This subtle piece has been created at Dieu Donné in New York City, a non-profit studio for handmade paper art. DD3.15 is...

Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored papers th...

Gouache and collage on Japanese paper. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored papers th...

Gouache on Japanese paper. Unframed. This gouache paint on Japanese paper is a result of working with the accidental arrangements of found colored papers that are in piles all over ...

Collage and gouache on Japanese papers. Unframed. This gouache paint with collage on Japanese paper is a result of working with the accidental arrangements of found colored papers t...

This abstract painting by April Hammock is made with acrylic paint on canvas. It feature green, blue, and muted purple palette, with warm, subtle acce...

This contemporary abstract painting by Teodora Guererra is made with acrylic paint on gallery wrapped canvas. It features a cool palette, with varying tones of blue layered over top ...

Antique American modernist still life painting. Oil on canvas, circa 1940. Signed. Image size 12L x 16H. Housed in a period modern frame.

Antique American modernist oil painting of New York City by George Schwacha, Jr. (1908 - 1986). Oil on board, circa 1940. Signed. Image size 24L x 12H. Housed in a period modern ...

Joseph Glasco (American, 1925-1996) Untitled 1978-81 Acrylic on canvas collage initialed verso and dated ‘81 48 x 51 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and gre...

Joseph Glasco (American, 1925-1996) Figure 1973 Acrylic on paper Signed and dated '73 lower right 40 x 26 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and grew up in Tex...

Abstract #46, Abstract Acrylic Painting, 2017 36" x 24" x 1.5" (HxWxD) Unframed, but comes "cloth-edged" (black) and ready to display with hanging wire Artist Commentary: This piece...

Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish...

Taro Yamamoto, (American, 1919-1994) "La Gatta Miso" Oil or Acrylic/Canvas 32" x 50" Hand signed lower right, dated 1990, Titled on the stretcher verso, unframed. Taro Yamamoto (1919 – 1994) belonged to the New York School Abstract...

Abstract landscape view overlook mountain, Woodstock, NY , 1960's.Oil on canvas, estate signature stamp lower right. Also, Pinajian estate signature stamped back of the canvas. Arc...

P4.13, 2013, Gouache on Japanese Paper, 26 3/4 x 21 Inches. Jean Feinberg is a NY based artist whose works on paper (handmade paper, gouache, and collage) are closely linked to her ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Denise Driscoll's "Inner Garden 26" is a playful 18 x 12 inch painting / drawing of an accumulation of overlapping forms in soft blues and rosy reds on handmade paper with a deckle e...