Jean Maurice Lasnier

Large French 20th Century abstract oil painting in orange hues by Lasnier

Jean Maurice Lasnier (French, 1922 – 2006) TROPIQUES, 1972 Signed ‘LASNIER’ (lower right), dated ‘5-72’ (on the reverse) Oil on canvas 54.3/4 x 27...

Jean Maurice Lasnier (French, 1922 – 2006) Tempete Industrielle Signed ‘LASNIER’ (lower left) Oil on canvas 25.3/4 x 32 in. (65.4 x 81cm.) Provena...

Roy Bizley (British, 1930-1999) Autumnal forms Oil on board 24.3/4 x 19.3/4 in. (63 x 50 cm.) Provenance: From the artist’s studio

Jean Patricia Taprell Clark (British, 1930 – 1973) Abstracted form Oil on canvasboard 20 x 24 in. (50.8 x 61 cm.) Having refused the opportunity to become a member of the 'Bluebell ...

This stunning large Abstract oil on board painting is by noted British artist Frank Avray Wilson. It was painted in 1985 and given to Wilson's good friend and holiday companion, the...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) painting on canvas unframed: 39.5 x 39.5 inches condition: very good provenance: all the paintings we have for sal...

Blowhard, 2015 Mixed media on canvas (Signed on reverse) 47 1/5 H × 39 2/5 W in 120 H × 100 W cm Prof. Arnd Joachim Garth wrote: "MASCH's pictures keep the ephemeral firm, Morbid is ...

Multi-Color Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer A bold mid-century abstract expressionist piece exploding with heavy texture and vivid color by San Francisco artist Peter Witwer (American, 1928-1968). Darker colors are layered atop each other, building up from white, yellow, and red through greens and blues into dark purple and black. The composition is surrounded by an orange field, creating a strong contrast. Unsigned, but was acquired with a collection of Witwer pieces. Displayed in a vintage wood frame. Linen size: 30"H x 16"W Framed size: 31.25"W x 17.25"W Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Then to a San Francisco Collector and then to Robert Azensky fine Art Born George Peter...