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Jeff Koons
Jeff Koons, Pink Bow - Celebration Series, 2013

2013

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  • Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
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  • Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displaye...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Archival Paper

  • Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011
    By Richard Prince
    Located in London, GB
    Richard Prince, The Greeting Card Jokes #1: The Fireman, 2011 As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). Signed and numbered by artist in ink on interior of card. From a limited edition of 100. 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
    Category

    21st Century and Contemporary Contemporary More Prints

    Materials

    Archival Paper

  • Untitled (Oyster) By Nicolas Party
    By Nicolas Party
    Located in London, GB
    Untitled (Oyster) By Nicolas Party 2011 Nicholas Party is a contemporary Swiss-born artist celebrated for his distinctive and colorful works encompassing painting, sculpture, and ...
    Category

    21st Century and Contemporary Contemporary Figurative Prints

    Materials

    Paper

  • Untitled (Moonstrips) By Eduardo Paolozzi
    By Eduardo Paolozzi
    Located in London, GB
    Untitled (Moonstrips), from the General Fun portfolio (1967) By Eduardo Paolozzi Eduardo Paolozzi (1924-2005) was a pioneering Scottish artist and sculptor associated with the Pop ...
    Category

    1960s Contemporary Figurative Prints

    Materials

    Lithograph, Paper

  • Man With Guitar By Billy Childish
    By Billy Childish
    Located in London, GB
    Man With Guitar By Billy Childish Billy Childish is a British artist, musician, poet, and writer known for his raw, uncompromising creativity across various mediums, emerging from...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Paper, Woodcut

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    By Addison Jones
    Located in Delaware , OH
    Modern Art, Portrait Painting, Mixed Media Portrait Art-Lost Between The Lines ABOUT THIS PIECE: “Lost Between the Lines, (Behtyie-A13)” is mixed media portrait art by Addison Jones...
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    "Half Empty Spaces" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and ...
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    By C. Dimitri
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  • 'Gang of Four' - collage portrait, bright colors, abstract, pop, risograph
    Located in Atlanta, GA
    This abstract collage portrait features hues of yellow, green, pink and black. This work is 30 by 20 inches unframed and 35 by 27 inches framed. Colombian-born, Atlanta-based artist Esteban Patino...
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    Located in Atlanta, GA
    This abstract collage features hues of pink, yellow, blue and white. This work is 30 by 20 inches unframed and 35 by 27 inches framed. Colombian-born, Atlanta-based artist Esteban ...
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