Jérémie Iordanoff

Untitled 768 (Abstract Painting)

2021

Untitled 19153 (Abstract painting) Oil on canvas — Unframed. Martín Reyna is an Argentinian-born abstract painter living in Paris, France. His gestural abstract paintings delight th...

Untitled 24243 (Abstract painting) Oil on canvas — Unframed. This abstract oil painting showcases a compelling investigation into the visual language of oil. The artist explores the...

Station (Abstract painting) Oil and Acrylic on Canvas — Unframed. This artwork will be shipped flat within the US. If shipped outside of the US this work will be shipped rolled in a...

#1399 (Abstract painting) Oil on canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will e...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...

Janet Slom, M.F.A. Is a painter, installation and performance artist living in Miami, Florida. Slom studied at the University of Witwatersrand in South Africa and earned her MFA from...

"Team II" is an evocative piece from Andreas Claussen that depicts an abstract scene of an astronaut and a flamingo. Andreas Claussen (b. 1988, Hanover, Germany) is a pioneering oi...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...