Jeremy Gardiner

Vibrant Red Abstraction by Jeremy Gardiner

1986

Jonathan Adolphe (American, b. 1952) Stolen From the Mirror, 1983 Oil on canvas 24 x 24 in. Signed & inscribed verso: Jonathan Adolphe, Middle #2 Panel, Stolen From the Mirror, 1983, please don't stand upside down Solo Exhibitions: Gallery Baraz, Istanbul Turkey Marc Jancou Gallerie, Zurich, Switzerland Bess Cutler Gallery, New York City Gallery Nagata, Tokyo, Japan Colin De Land – American Fine Arts Company, New York City Partial List of GroupExhibitions: Frederieke Taylor Gallery, New York City Renèe Fotouhi Fine Art East, New York City, “JFK In Memoriam: Myth and Denial Galerie Langer Fain, Paris, France Barbara Krakow Gallery, Boston, Massachusetts Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA, “New Generations: New York” Patrick & Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, “Romanticism and Cynicism In Contemporary Art” Peder Bonnier, New York City, “Art Totem” Jonathan currently works out of his studio in Gowanus, Brooklyn. Excerpt from interview with Voyage LA: "I studied theater design at New York University but always wanted to be a painter. The painting I was drawn to make was a hybrid of both painting and sculpture. My first one man show in New York were abstract paintings covered in sand. My second one may show in New York were paintings on chalkboards with texts. I’ve had one man shows in Zurich, Tokyo, and Istanbul. Afterward, I felt stuck; an artist’s block had come over me. I turned my attention to raising my daughter and focusing on her becoming an artist. Julia Adolphe is now a successful contemporary classical composer...

Untitled, c. 1980s Oil on canvas 43 1/2 x 55 1/2 in.

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 40 1/8 x 48 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brookl...

Johanna Secor (American, 1920-1998) Waterfall, Late 20th Century Oil on canvas Framed: 35 3/8 x 29 1/8 x 1 7/8 in. Signed and inscribed verso: Johanna Secor "Waterfall" “Mrs. Seco...

Claire Burch (American, 1925-2009) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 2/3 x 37 3/4 x 1 1/2 in. Signed lower right: Claire Burch After attending grade school in Brooklyn, Burch completed a commercial art course at Washington Irving High School in Manhattan and received her B.A. in English from NYU. In the suburbs of Great Neck, New York, she first began writing poetry and articles which were published in Life magazine, The New Republic, Mademoiselle, McCall's, Saturday Review, Redbook, Good Housekeeping, and numerous literary quarterlies and anthologies.[1] Burch also developed a career as a psychiatric writer, publishing two books on the subject: Careers in Psychiatry and Stranger in the Family. In the early 1970s Burch became a playwright and painter. Her play Ten Cents a Dance was optioned to be directed by José Quintero, the famous O'Neill interpreter. Burch wrote a total of seven plays and several folk operas, but eventually moved on to filmmaking and video anthropology—she was an early adapter of video as a medium. In 1978, Burch moved to California with her longtime companion Mark Weiman, publisher and owner of Berkeley's Regent Press. She had endured a series of illnesses and wanted to escape the harsh climate of Manhattan. Burch gained insight and inspiration from insanity and the often unexpected behavior associated with it. She would often videotape homeless people in People's Park and Telegraph Avenue in Berkeley, which were collected in her film People's Park in Berkeley: Then and Now. The film documented the dispute between homeless activists and the University of California from the riots of 1969 through 1996 by interviewing park "regulars," and profiling the events surrounding the deaths of park supporters James Rector and Rosebud Denovo.[2] She also produced documentaries on noted cultural figures such as James Baldwin (whom she knew as a teenager), Timothy Leary and Country Joe McDonald. Also of note was Oracle Rising, a film about the legendary psychedelic newspaper The SF Oracle published in the Haight-Ashbury district during the Summer of Love. Her last completed film was Elegy for the Naked Guy...

Syril Frank (American, 1929-2021) Untitled, c. 1963 Oil on canvas 48 x 50 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brooklyn to Israel and Mina Kaplan. S...

“BS Trust” is 36” x 36”. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, created to last generations. Much of Frank Arnold’s work is sourc...

Last Dance is an Oil on Canvas painting in soft, light aqua tones with red/brown accents. Frank Arnold is thought by many to be one of the foremost abstract...

“My Other Side” is 48”x 36”. This is an earlier piece by Arnold from the estate of a late collector of his work. This piece is predominantly shades of red from light to almost black....

"New Move 8" Oil on Canvas is a mix of blues and greens with chrome yellow accents. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculpto...

"Blake’s Wish" is 60” x 48”. Solo female figure Dominant colors are black, white and deep crimson red.. Frank Arnold’s paintings exhibit the highest quality materials for a truly arc...

This oil on canvas work, "Industrial Park ", presents in charcoal and raw umber tones. A lifelong painter and sculptor, American abstract artist, Jane Whitehurst...