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Jessica Gatlin
LETTER PRESSED INK ON PAPER, PANEL III - Contemporary Abstract w/ Earth Tones

2019

About the Item

Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive, partly randomized, modular blocks are arranged and rearranged on the letterpress bed. Colors are placed, shifted, or replaced varying levels of opacity. The resulting compositions range in spark of reference from landscape to Modernism to infographic to jazz, reflecting on aesthetics, automation, authority, ritual and power.
  • Creator:
  • Creation Year:
    2019
  • Dimensions:
    Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Signal Mountain, TN
  • Reference Number:
    1stDibs: LU98516065432

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LETTER PRESSED INK ON PAPER, PANEL II - Contemporary Abstract - Green & Yellow
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Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...
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LETTER PRESSED INK ON PAPER, PANEL - Contemporary Abstract - Orange, Blue, Green
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Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive,...
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2010s Abstract Abstract Paintings

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LETTER PRESSED INK ON PAPER, PANEL IV - Contemporary Abstract - White & Blue
By Jessica Gatlin
Located in Signal Mountain, TN
Jessica Gatlin uses the process of letter pressing to create these pieces on paper that have been mounted to a small panel. An exercise in language and rule making. Partly intuitive...
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2010s Abstract Abstract Paintings

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STREAM - mixed media geometric abstract painting in blue and yellow hues
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This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...
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OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...
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