Yellow Gold Reveal
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Jimi GleasonYellow Gold Reveal
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Jimi Gleason
Throughout his career, painter Jimi Gleason has explored the relationship between color, light and space and how the viewer perceives each. Like reflections off a water’s surface, it has been said that Gleason’s iridescent abstract paintings appear to “shift,” creating an almost “meditative experience.”
Gleason was born in 1961 in Newport Beach, California. In 1985, he graduated with a BA in Fine Art from the University of California, Berkeley. Following graduation, Gleason became a printmaker at the San Franciso Art Institute and worked as a studio assistant to renowned abstract painter Ed Moses.
In 1987, Gleason moved to New York City, where he worked as a photo assistant to his high school friend, photographer Matt Sees. During that period, Gleason learned a great deal about the photo development process, which inspired his signature luminescent painting technique. “...I kept seeing these Cibachrome prints, big shiny photos,” he said. “I wanted to bring some of that back into painting, to steal it back.”
To achieve the unique, reflective qualities of his paintings, Gleason uses silver nitrate mixed with acrylic paints applied to chemically treated, acrylic-coated canvas. While there is a provocative interplay of color and texture at work, the surface of each piece acts as a mirror that also interacts with light, creating different perceptive experiences for the viewer.
Over the years, numerous galleries, such as the William Turner Gallery in Santa Monica, have exhibited Gleason's work. His art is also held in public and private collections, including Dakota Studios in New York, Hilton Headquarters in McLean, Virginia, and the Frederick R. Weisman Art Foundation and Sun America, Kaufman Broad Home Corporation in Los Angeles.
On 1stDibs, find original Jimi Gleason paintings, mixed media works and other art.
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- Golden Lore IV - contemporary mixed media collage gold abstractBy Russell FramptonLocated in London, GBThis recent body of work is informed by my continuing research into the physical and metaphorical nature of archaeological artefacts and votive objects, allied to the referencing of the symbolic forms and materiality of alchemy. Central to this practical investigation has been the use of ‘gold’, and the qualities that the material, with its obvious chromatic and symbolic values, seems to possess. This has driven both the conceptual and pragmatic concerns within the evolution of this work. Gold is an alluring and complex symbol of many, often conflicting meanings, avarice, greed, wealth but also of purity and celebration, and has been used as the adornment of spiritual and religious iconography as a devotional act for millennia. The titles refer to connections I have made with the forms themselves, often when making a painting a word will emerge which acts as a form of poetic catalyst. ‘Parsival’ or Percivale/Peredur was the knight questing for the holy grail...Category
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