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Regina QuinnNovember Light (Encaustic Landscape of Forest at Late Autumn by Regina Quinn)2024
2024
About the Item
Encaustic, abstracted landscape of a country farm field with autumn foliage
"November Light" made in 2024 by Regina Quinn
encaustic and oil with wax on panel
12 x 9 inches unframed / 13 x 10 inches framed
About the artist: After nearly three decades in Vermont’s Northeast Kingdom, Regina now lives in New York’s Northern Catskills. Although she is a New York City native, she has spent most of her adult life in the northern mountains which are a continuous source of inspiration for her work which is rooted in a deep connection to the natural world, combined with her sense of stewardship for the fragile balance that allows life to exist and thrive on this planet.
Regina holds a Special Studies in Fine Arts degree from Trinity College where she received the Peyser Art Award, first prize and a Master’s Degree in Educational Leadership from the University of Vermont. She exhibits her work extensively in galleries, art centers and museums across the country and has several of her encaustic paintings included in the permanent collection of the Williamsburg Art and Historical Center, in Brooklyn, NY, and the Museum of Encaustic Art - Encaustic Art Institute in Santa Fe, NM. Regina teaches encaustic workshops internationally and serves on the Board of Directors of International Encaustic Artists. She has received numerous awards for her work, including the 2020 Faber Birren National Color Award and the 2021 Cooperstown Art Association’s Essential Art Grand Prize.
"I was struck by the luminosity and subtlety of Doug and Mike Starn’s encaustics in 2014, and immediately sensed that encaustic was my medium—one that could give voice to my aesthetic, my sensibility, and my quiet personality. I haven’t looked back. I work almost exclusively with encaustics and oils with beeswax, and recently began using those media over watercolor.
Beginning with watercolors on gessoed panels, I build opaque and transparent encaustic layers, carving and scratching into them with blades and knives creating depth and texture. Next, I apply oils mixed with beeswax, enhancing texture and luminosity. Layering, carving, scraping and incising allow earlier layers to emerge, much the way geological and weathering processes obscure and expose, and as visual memories come into focus even as they fade away."
- Creator:Regina Quinn (American)
- Creation Year:2024
- Dimensions:Height: 13 in (33.02 cm)Width: 10 in (25.4 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU22715662682
Regina Quinn
The elegance of a fallen leaf on the forest floor, the eerie glow as morning fog lifts, the dynamic tension between abstraction and naturalism – these are the inspirations for Regina Quinn’s encaustic and oil paintings. A New York City native, Regina divides her time between New York’s Catskill Mountains and the Northeast Kingdom of Vermont where her work is influenced by the stark winters, lush springs, exuberant summers and vibrant autumns. Working in encaustics, she builds transparent and opaque layers, scrapes and scratches and incises to reveal and obscure, working towards the sense of awe and wonder she experiences daily in the natural world. Regina holds a Special Studies in Fine Arts bachelor’s degree from Trinity College where she received the Peyser Art Award, first prize and a master’s degree in Educational Leadership from the University of Vermont. She has designed and painted sets for several Lyric Theater productions at Burlington, Vermont’s Flynn Theater for the Performing Arts and has worked as a muralist, graphic designer, and educator for 35 years. Regina is dedicated to sparking students’ creativity, innovation, and passion for environmental stewardship.
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