Untitled
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Jack DrummerUntitled1980's
1980's
About the Item
- Creator:Jack Drummer (1935 - 2013, American)
- Creation Year:1980's
- Dimensions:Height: 45 in (114.3 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Buffalo, NY
- Reference Number:1stDibs: LU13921471623
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1970
1stDibs seller since 2015
2,380 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Double Panel Monumental Pink and Purple Dyed and Painted Stretched Rubber CanvasBy Jack DrummerLocated in Buffalo, NYThis two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...Category
1980s Contemporary Mixed Media
MaterialsRubber, Paint, Dye
- Exhibited Norton Museum Vintage Modernist Fruit Still Life Art PaintingBy Clarence MeaselleLocated in Buffalo, NYVintage 1975 modernist still life acrylic painting by American born, Clarence Measelle b. 1947. First exhibited in 1975 in a solo show at the Norton Museum in West Palm Beach FL. Later, this painting was sold at Palm Beach Galleries...Category
1980s Modern Still-life Paintings
MaterialsCanvas, Acrylic
- Sandy Litchfield Landscape Oil Painting Colorful Abstract Modernist NY Art FairBy Sandy LitchfieldLocated in Buffalo, NYAn original oil painting by Amherst, MA based female artist and architecture professor Sandy Litchfield. This work is part of the gallery's upcoming presentation at Future Fair, as part of NY Art...Category
2010s Contemporary Abstract Paintings
MaterialsCanvas, Oil
- Sandy Litchfield Landscape Oil Painting Colorful Abstract Modernist NY Art FairBy Sandy LitchfieldLocated in Buffalo, NYAn original oil painting by Amherst, MA based female artist and architecture professor Sandy Litchfield. This work is part of the gallery's upcoming presentation at Future Fair, as part of NY Art...Category
2010s Contemporary Abstract Paintings
MaterialsCanvas, Oil
- Rain StudyBy Cassandra OttLocated in Buffalo, NYThe Consequence of Small Decisions Solo Exhibit by Cassandra Ott This dynamic mixed media work was created as part of the artist's series "The Consequence of Small Decisions". ...Category
21st Century and Contemporary Contemporary Abstract Paintings
MaterialsMixed Media, Paper
- Blue DahliaBy Cassandra OttLocated in Buffalo, NYThis work comes from the artist's series "The Consequences of Small Decision Making". Statement: Each day we are faced with countless small decisions, many of which become second...Category
21st Century and Contemporary Contemporary Mixed Media
MaterialsMixed Media, Paper
You May Also Like
- Bob Seng, Exit 350, 2002, scraped, collaged, EXIT signs, 8" x 12"By Bob SengLocated in Darien, CTRobert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...Category
Early 2000s Conceptual Abstract Paintings
MaterialsPlastic
- Bob Seng, Exit 323, 2000, scraped, collaged, EXIT signs, 8" x 12"By Bob SengLocated in Darien, CTRobert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...Category
Early 2000s Conceptual Abstract Paintings
MaterialsPlastic
- Bob Seng, Exit 326, 2000, scraped, collaged, EXIT signs, 8" x 12"By Bob SengLocated in Darien, CTRobert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...Category
Early 2000s Conceptual Abstract Paintings
MaterialsPlastic
- Bob Seng, Exit 442, 2002, scraped, collaged, EXIT signs, 8" x 12"By Bob SengLocated in Darien, CTRobert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...Category
Early 2000s Conceptual Abstract Paintings
MaterialsPlastic
- Ellen Hackl Fagan, ColorSoundGrammar_3 2010, Abstraction, MeditativeBy Ellen Hackl FaganLocated in Darien, CTInviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound. This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting. Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...Category
2010s Conceptual Abstract Paintings
MaterialsEnamel
- Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract SculptureBy Andra SamelsonLocated in Darien, CTThe word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...Category
2010s Conceptual Abstract Sculptures
MaterialsMirror, Plastic, Acrylic Polymer, Found Objects, Other Medium