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John LittleAfrican Ancestor1973
1973
$20,000
£14,878.37
€17,443.73
CA$27,972.54
A$31,232.16
CHF 16,387.18
MX$385,460.04
NOK 205,988.96
SEK 192,739.20
DKK 130,133.21
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About the Item
Waterline Fine Art, Austin, TX is pleased to present the following work:
Acrylic and paper collage on canvas. Signed and dated lower left; signed, dated, and titled verso.
56 x 50 in.
56.75 x 51 in. (framed)
Custom framed in a thin-profile, welded aluminum floater.
Provenance
Spanierman Gallery, New York
ExxonMobil Corporate Collection, Spring, TX
Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper.
In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon, and Perle Fine.
Little entered the the service in 1942 as an aerial photographer for the Navy. Returning to New York after the war and with nowhere to stay, he reconnected with Hofmann and moved into his 8th Street studio, alongside his friend Lee Krasner and her husband Jackson Pollock.
In 1946, Little earned his first solo exhibition at the California Palace of the Legion of Honor in San Francisco, with a subsequent solo exhibition at Betty Parsons Gallery in New York two years later.
In the early 1950s, Little abandoned the flat, linear style in favor of a new aesthetic consisting of the thick, gestural buildup of paint. This stylistic change was concurrent with his move to East Hampton In 1951. This enabled him to continue a close friendship with Krasner and Pollock, who had already left the city in favor of the more rural area around East Hampton. Little and Pollock had a joint exhibition in 1955 at Guild Hall, one year before Pollock’s tragic death.
John Little exhibited extensively during his career, with solo shows at Betty Parsons Gallery (1948), Bertha Schaefer Gallery (1957, 1958), Worth Ryder Gallery (1963), A.M. Sachs Gallery (1971), and a retrospective at the Guild Hall Museum (1982). His work can be found in many private, institutional, and corporate collections around the world, including the Metropolitan Museum of Art, Guild Hall Museum, Ball State University Museum of Art, and Galerie Beyeler.
Source: McCormick Gallery
- Creator:John Little (1907-1984, American)
- Creation Year:1973
- Dimensions:Height: 56.75 in (144.15 cm)Width: 51 in (129.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall fair to good, with wear commensurate with age. Stable condition. Inquire for additional details.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU2287215179492
John Little
Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper. In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon, and Perle Fine. Little entered the the service in 1942 as an aerial photographer for the Navy. Returning to New York after the war and with nowhere to stay, he reconnected with Hofmann and moved into his 8th Street studio, alongside his friend Lee Krasner and her husband Jackson Pollock. In 1946, Little earned his first solo exhibition at the California Palace of the Legion of Honor in San Francisco, with a subsequent solo exhibition at Betty Parsons Gallery in New York two years later. In the early 1950s, Little abandoned the flat, linear style in favor of a new aesthetic consisting of the thick, gestural buildup of paint. This stylistic change was concurrent with his move to East Hampton In 1951. This enabled him to continue a close friendship with Krasner and Pollock, who had already left the city in favor of the more rural area around East Hampton. Little and Pollock had a joint exhibition in 1955 at Guild Hall, one year before Pollock’s tragic death. John Little exhibited extensively during his career, with solo shows at Betty Parsons Gallery (1948), Bertha Schaefer Gallery (1957, 1958), Worth Ryder Gallery (1963), A.M. Sachs Gallery (1971), and a retrospective at the Guild Hall Museum (1982). His work can be found in many private, institutional, and corporate collections around the world, including the Metropolitan Museum of Art, Guild Hall Museum, Ball State University Museum of Art, and Galerie Beyeler.
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By John Little
Located in Austin, TX
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Oil on canvas. Signed and dated lower left.
36.25 x 30.25 in.
38.5 x 32.5 in. (framed)
Custom hardwood frame with dark stain. FredEric’s Frame Studio, Chicago.
Provenance
McCormick Gallery, Chicago
Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper.
In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...
Category
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil, pastel, and paper collage on canvas. Signed and dated verso.
52.75 x 47.75 in.
54 x 49 in. (framed)
Gilded floater frame.
Provenance
Compass Rose, Chicago
Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings.
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Acrylic on canvas. Signed, dated, titled, and estate stamped on verso.
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The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine.
Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography.
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