Want more images or videos?
Request additional images or videos from the seller
1 of 8
John LittleUntitled1965
1965
About the Item
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower left.
36.25 x 30.25 in.
38.5 x 32.5 in. (framed)
Custom hardwood frame with dark stain. FredEric’s Frame Studio, Chicago.
Provenance
McCormick Gallery, Chicago
Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper.
In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon, and Perle Fine.
Little entered the the service in 1942 as an aerial photographer for the Navy. Returning to New York after the war and with nowhere to stay, he reconnected with Hofmann and moved into his 8th Street studio, alongside his friend Lee Krasner and her husband Jackson Pollock.
In 1946, Little earned his first solo exhibition at the California Palace of the Legion of Honor in San Francisco, with a subsequent solo exhibition at Betty Parsons Gallery in New York two years later.
In the early 1950s, Little abandoned the flat, linear style in favor of a new aesthetic consisting of the thick, gestural buildup of paint. This stylistic change was concurrent with his move to East Hampton In 1951. This enabled him to continue a close friendship with Krasner and Pollock, who had already left the city in favor of the more rural area around East Hampton. Little and Pollock had a joint exhibition in 1955 at Guild Hall, one year before Pollock’s tragic death.
John Little exhibited extensively during his career, with solo shows at Betty Parsons Gallery (1948), Bertha Schaefer Gallery (1957, 1958), Worth Ryder Gallery (1963), A.M. Sachs Gallery (1971), and a retrospective at the Guild Hall Museum (1982). His work can be found in many private, institutional, and corporate collections around the world, including the Metropolitan Museum of Art, Guild Hall Museum, Ball State University Museum of Art, and Galerie Beyeler.
Source: McCormick Gallery
- Creator:John Little (1907-1984, American)
- Creation Year:1965
- Dimensions:Height: 36.25 in (92.08 cm)Width: 30.25 in (76.84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall fair to good, stable condition. Inquire for additional details.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU2287211547452
John Little
Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper. In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon, and Perle Fine. Little entered the the service in 1942 as an aerial photographer for the Navy. Returning to New York after the war and with nowhere to stay, he reconnected with Hofmann and moved into his 8th Street studio, alongside his friend Lee Krasner and her husband Jackson Pollock. In 1946, Little earned his first solo exhibition at the California Palace of the Legion of Honor in San Francisco, with a subsequent solo exhibition at Betty Parsons Gallery in New York two years later. In the early 1950s, Little abandoned the flat, linear style in favor of a new aesthetic consisting of the thick, gestural buildup of paint. This stylistic change was concurrent with his move to East Hampton In 1951. This enabled him to continue a close friendship with Krasner and Pollock, who had already left the city in favor of the more rural area around East Hampton. Little and Pollock had a joint exhibition in 1955 at Guild Hall, one year before Pollock’s tragic death. John Little exhibited extensively during his career, with solo shows at Betty Parsons Gallery (1948), Bertha Schaefer Gallery (1957, 1958), Worth Ryder Gallery (1963), A.M. Sachs Gallery (1971), and a retrospective at the Guild Hall Museum (1982). His work can be found in many private, institutional, and corporate collections around the world, including the Metropolitan Museum of Art, Guild Hall Museum, Ball State University Museum of Art, and Galerie Beyeler.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2020
1stDibs seller since 2023
6 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Austin, TX
- Return PolicyA return for this item may be initiated within 30 days of delivery.
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllUntitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed lower right, signed and dated verso.
62.25 x 56.25 in.
64 x 58 in. (framed)
Custom framed in a natural cherry wood floater.
Provenance
Washburn Gallery, New York
Behnke Doherty Gallery, Washington Depot, CT
Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art.
After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States.
In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums.
By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum.
In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York.
During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front.
During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$25,000
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed lower right.
50.5 x 38.25 in.
51.5 x 39 in. (framed)
Custom framed in maple.
Theodore Franklin (“Ted”) Appleby, Jr. was born January 28, 1923 in Asbury Park, New Jersey to a very prominent family in Monmouth County. He attended the Pauling School in New York and studied at the atelier of John Corneal.
On December 12, 1942, Appleby enlisted in the U.S. Marine Corps, subsequently seeing action in the Marshall Islands. Upon the conclusion of the war, he was stationed for a year in Yokohama, Japan, where he studied local engraving techniques.
In 1947, after returning home, Appleby moved to Mexico for a year to study mural painting in San Miguel de Allende. Following his sojourn in Mexico, Appleby briefly returned home to the U.S. before ultimately relocating to Paris. There, he joined a lively community of expatriate American artists involved with what would come to be known as the “School of Paris.” Appleby befriended fellow Americans Sam Francis and Jackson Pollock, exhibiting extensively throughout France with the former. He also regularly visited the atelier of Fernand Léger, and was represented in the "Salon de Réalités Nouvelles" and the “Salon d’Automne” during the 1950s and 60s.
From 1955 to 1961, Appleby participated in group exhibitions in Chicago, Leverkusen (Germany), Lisbon, London, and Paris. He also had three notable solo exhibitions during this period: Studio Facchetti, Paris (1956); Martha Jackson Gallery, New York (1957); and the American Cultural Center, Paris (1959). In 1957, Appleby’s work was presented at the 62nd American Exposition of Painters and Sculptors at the Chicago Art Institute, where he was awarded the Norman Wait Harris Bronze Medal and Prize.
Answering the famed artist André Lhote’s call to help save the village of Alba-la-Romaine in the Ardèche, Appleby and his wife - the artist Hope Manchester - purchased a home in the village in 1950, ultimately settling there until their deaths.
Source: Taylor Graham Gallery
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled
By Paul Brach
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right.
41.75 x 61 in.
44 x 63 in. (framed)
Custom framed in a hardwo...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$30,000
Untitled
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Estate stamped and numbered verso; initialed “SF22” verso.
48.25 x 34.25 in.
49.25 x 35 in. (framed)
Custom framed in a solid maple floater.
Provenance
Estate of Samuel Feinstein
McCormick Gallery, Chicago
Samuel Lawrence...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
April 10, 1961
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right; signed, titled, dated verso.
48 x 60 in.
49.75 x 61.75 in. (framed)
Custom framed in a solid maple floater, with an heirloom white finish.
Provenance
Kootz Gallery, New York
Collection of John G. and Kimiko Powers, New York/Aspen, CO
Prentice-Hall Corporate Art Collection, New York
Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School.
Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Blue Grey
By Philippe Hosiasson
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right and verso, titled verso.
39.25 x 31.75 in.
40.25 x 32.75 in. (f...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
You May Also Like
Parallel Construction
By Oonju Chun
Located in Salt Lake City, UT
Parallel Construction, oil on canvas, 48 x 54 in.
Oonju Chun’s large abstract expressionist paintings delightfully employ the basics of good, nonobjective ...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Original-Magic Bell Morning Light-UK Awarded Artist-Botanic- Abstract Expression
Located in London, GB
In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Gesso, Canvas, Oil, Acrylic, Wood Panel
"Oblivion" Oil Painting 9.5" x 7" inch by Anastasiia Danilenko
By Anastasiia Danilenko
Located in Culver City, CA
"Oblivion" Oil Painting 9.5" x 7" inch by Anastasiia Danilenko
Ships rolled in a tube
Anastasiia Danilenko is an artist and graphic designer.
But the area of her occupation is pa...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Chong Liu Abstract Original Oil Painting "The Beginning Of Nature 27"
Located in New York, NY
Title: The Beginning Of Nature 27
Medium: Oil on canvas
Size: 22 x 27 inches
Frame: Framing options available!
Condition: The painting appears to be in excellent condition.
Year: 2000 Circa
Artist: Chong Liu...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$1,275 Sale Price
25% Off
Chong Liu Abstract Original Oil On Canvas The Beginning Of Nature-Green In Black
Located in New York, NY
Title: The Beginning Of Nature 24
Medium: Oil on canvas
Size: 27 x 20 inches
Frame: Framing options available!
Condition: The painting appears to be in excellent condition.
Year: 20...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Dong Liu Abstract Original Oil On Canvas "Spring Bud"
Located in New York, NY
Title: Spring Bud
Medium: Oil on canvas
Size: 14 x 13 inches
Frame: Framing options available!
Condition: The painting appears to be in excellent condition.
Note: This painting is un...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
$525 Sale Price
25% Off