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Jon RowlandDetail #62012
2012
$1,993.42
$2,491.7720% Off
£1,472
£1,84020% Off
€1,725.14
€2,156.4220% Off
CA$2,749.01
CA$3,436.2620% Off
A$3,088.39
A$3,860.4820% Off
CHF 1,613.69
CHF 2,017.1120% Off
MX$37,695.22
MX$47,119.0220% Off
NOK 20,489.12
NOK 25,611.3920% Off
SEK 19,286.19
SEK 24,107.7320% Off
DKK 12,873.62
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About the Item
Jon Rowland.
Detail #6- part of my Portraying the Essence theme.
As with Detail #4 this theme has emerged as some of the paintings and sketches themselves have been deconstructed and abstracted. This provides the opportunity to play with colour and shape, and to create paintings of detail and depth. Scenes are painted over and over. Each picture dissects the landscape to expose its essence and abstracts and ‘decorates’ the result of this analysis. This has been the case when I have painted a favourite area in Scotland where the landscape is both sensual and evocative. The theme of Details is built up from the landscape in SW Scotland.
Acrylic and ink on paper
Framed
Painted – 2012
Size: H:57 cm x W:76 cm
- Creator:Jon Rowland (British)
- Creation Year:2012
- Dimensions:Height: 22.45 in (57 cm)Width: 29.93 in (76 cm)Depth: 1.38 in (3.5 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63239960102
Jon Rowland
Discover new paintings by Jon Rowland and his abstract expressionism with Wychwood Art. Each work has been carefully selected by Deborah Allan our Chief Art Curator. Wychwood Art have exhibited Jon Rowland in London during a pop-up exhibition of theirs at the Darren Baker Gallery. His paintings have been displayed at the Royal Academy and at the Berthold and Darren Baker Gallery in London. He has also exhibited in group exhibitions at Linacre and Green Colleges, at Swann Gallery in Woodstock, and with Wychwood Art at Battersea Art Fair. He was one of six contemporary artists who took part in an exhibition of views of Blenheim Palace, juxtaposing the original visions with today's, as part of the celebration of the 300th anniversary of Capability Brown's birth. Solo exhibitions have been at the Said Business School, Wolfson College in Central Oxford, and most recently at the Sewell Centre Art Gallery and Cornerstone Art Centre in Oxfordshire, and the Boiler Room Gallery in Central Oxford. Through Wychwood Art, he has carried out several large scale commissions for private clients. Jon comments: Painting is a journey. One starts at one place - the blank canvas, and hopefully ends at a resolution. Sometimes one gets lost. My aim in this journey is to create original, contemporary art that is grounded in place. Chance and opportunity are the travelling companions; but the art is to know when the journey is complete. I tend to work in series, with references to locations that are abstracted, reflecting on themes of colour, movement and space. In some themes I use concepts of detail to examine and manipulate emerging abstraction. The challenge is to express its essence. My work in various places, including Provence with its Mediterranean sunshine, has enabled me to explore the complementarities, juxtapositions, hues and depths of colour. Recent visits to Crete and Sicily reinforced this approach to colour and vibrancy. There, the bright pinks, yellows and turquoise of the landscape and the richness of the place itself have been important in gradually changing my palette. The pictures you see are an expression of this personal place. His work is predominantly in acrylics but increasingly mixing the media to include oil, ink, and collage. His work is colourful and distinctive.
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Detail #6 - Part of Jon Rowland's 'Portraying the Essence' theme. As with Detail #4 this theme has emerged as some of the paintings and sketches themselves have been deconstructed and abstracted. This provides the opportunity to play with colour and shape, and to create paintings of detail and depth. Scenes are painted over and over. Each picture dissects the landscape to expose its essence and abstracts and ‘decorates’ the result of this analysis. This has been the case when I have painted a favourite area in Scotland where the landscape is both sensual and evocative. The theme of Details is built up from the landscape in SW Scotland.
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