Jonathan Feldschuh

Large Abstract Mixed Media Lacquer Painting Stealthy Glow Scientific Abstraction

1999

"Yellow/Green" 2004. Oil/Acrylic on Canvas. Signed lower right Image: 34.5" x 47". Framed: 49" x 37". Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland. Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca...

Wang Tao (Chinese, 1943) "Blue Clouds with Dragons (Untitled)," 2007, Acrylic and vintage antique paper collage on canvas, Hand signed and dated L/R, Verso inscribed and dated Di...

size includes frame 20X20 sight size. Richard tum Suden (1936, Brooklyn NY) Painter, sculptor, graphic artist, has taught at Parsons School of Design in New York, Art Students League...

Genre: Modern Subject: Abstract colorful Medium: Acrylic Surface: Canvas Dimensions: 24" x 18" x 3/4" Dimensions w/Frame: 27 1/2" x 21 1/2" in the style of Cobra artists or rhino horn artists...

Gina Medcalf (British, 1941-) "Shallow Ground 2", 2008 (Shallow Brown) Acrylic on canvas Hand signed, dated and titled reverse. 27 X 18 this painting is not framed Polychrome abstr...

Richard Heinsohn (American, -1961) "Life Forms in Transit," Hand signed and dated 1988 verso. Provenance: Allan Stone Gallery, New York. Education: 197...

This miniature, hand-painted original, packs a beautiful punch! Hang this small but mighty piece in a quiet corner to bring it to life, or pair it with several beautiful black and ...

"Que Linda"! Translated into English, "Que Linda" means "How Beautiful"! - a name perfectly suited for this lovely original painting, as it encapsulates the awe-inspiring wonder fo...

Say "Amen", if you can relate to the title of this painting!! Artist Motivation: Loaded with fun and humor, "Babe, Put The Seat Down" is a gorgeous, fun, funny piece done in a "St...

“My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

“My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

“My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...