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Joseph Drapell"In Memory of Clement Greenberg" - colourful, impasto abstract acrylic on canvas1984
1984
$24,000
£18,096.11
€20,853.24
CA$33,294.49
A$37,306.30
CHF 19,419.35
MX$456,385.14
NOK 246,492.67
SEK 232,809.38
DKK 155,673.71
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An explosion of colour radiates from one side of the canvas in this extraordinary abstract painting dedicated to renowned NY art critic, Clement Greenberg. As a student, Joseph Drapell met and was influenced by Greenberg while studying at an American art school. This piece is rendered in thickly applied waves of shiny orange, purple, plum, white, and turquoise. Holographic materials are also used.
The Czech-born artist creates remarkably vibrant paintings using trowels, wide serrated blades, and his fingers to apply thick layers of colour. Drapell is known for his ‘compression technique’--applications of thick paint or impasto that produce highly textured pieces.
“…with modern materials, you have the ability to build up the impasto to an unprecedented degree, so I restored some of the spatial qualities that paint can have so that was my motivation.” Joseph Drapell
After emigrating to Canada, Joseph Drapell studied art at the Cranbrook Academy of Art in Michigan. Inspired by the abstract paintings of Morris Louis, he experimented with different techniques to apply wide swaths of paint in thick layers. In the 1990’s he was a founding member of a group of artists called the New New Painters that exhibited together internationally. Drapell is a member of the Royal Academy of Arts, and his works are held in both private and public collections in Canada and the U.S. Drapell divides his time between Toronto and a beloved island retreat in Georgian Bay.
- Creator:Joseph Drapell (1940, German)
- Creation Year:1984
- Dimensions:Height: 72 in (182.88 cm)Width: 59 in (149.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29110977062
Joseph Drapell
Joseph Drapell was born into the German- (and later Soviet-) occupied small town of Humpolec (near Prague) in 1940. His parents brought up their three boys not to believe in the official propaganda of the occupying regimes. Like the Czech novelist Milan Kundera, Drapell felt that life was elsewhere. Drapell escaped his birth country at his first opportunity at the age of twenty-five in order to develop his art in the free West. He landed in Halifax in 1966, grateful to Canada for accepting him. Drapell adopted an island (B-109) in Georgian Bay as his new spiritual home. The island has inspired (directly or indirectly) all his mature artistic developments to date. Drapell's aim was to contribute to the art of painting, rather than to merely make a living as an artist. Between 1968 and 1970, he studied under various visiting artists and lecturers at Cranbrook Academy of Art in Michigan. This is where he first started to develop his compression technique as a response to the paintings of Morris Louis. He settled in Toronto in 1970. Drapell walked the streets of New York with a roll of large paintings, until he was discovered by the Robert Elkon Gallery on Madison Avenue. After three exhibitions there (and several in Toronto where he was discovered by Jared Sable of the Dunkelman Gallery), Drapell achieved his first artistic breakthrough in 1974 with the Great Spirit Paintings. Joseph divides his time between Toronto and Georgian Bay (Lake Huron).
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