Items Similar to 1978 Joy Walker Pattern & Decoration Color Field Abstract Op Art Painting
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Joy Walker1978 Joy Walker Pattern & Decoration Color Field Abstract Op Art Painting1978
1978
About the Item
Joy Walker (Canadian, b.1942)
Pattern painting
Acrylic on canvas,
This is heavily textured acrylic with a sculptural quality to it
Dimensions: approx. 12-1/2" x 12-1/2"
Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski
Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks.
Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition.
"One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995.
Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters.
There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch.
Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School.
She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin.
She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park.
This work also bears the influence of Op Art and Kinetic Art
Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz,
She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes and Perle Fine. As well as Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.
Her work is included in the The Feminist Art Project (TFAP) founded in 2006 through the Center for Women in the Arts and Humanities at Rutgers University (previously known as the Center for Women in the Arts, and previously known as the Institute for Woman and the Arts). TFAP celebrates the Feminist Art Movement which began in the late 1960s.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,745 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLarge Spanish Contemporary Juan Suarez Abstract Bold Painting Triptych Group
Located in Surfside, FL
Juan Suarez (Spanish, b. 1946)
Naturaleza Muerta,
Mixed media painting on three assembled canvases, (triptych)
It is either oil or acrylic paint. it seems like oil to me. A label verso has it indicated as acrylic.
Dimensions: 64 1/8 W: 64 1/4 in.
Provenance: The Cleveland Museum of Art (bears label verso);
Galerie Juana de Aizpuru Gallery (bears label verso).
Born in Puerto de Santa María (Cádiz). Studies at the ETSA and at the Superior School of Fine Arts of Santa Isabel of Hungary in Seville. Grant from the Juan March Foundation in 1976. Advanced studies in Architecture and Fine Arts, University of Seville. Although he was not born in Seville, Juan Suárez is a member of the group of painters from the city who, in the seventies, linked their artistic practice, based fundamentally on painting, to international tendencies. Rather than a set of intellectual ideas, José Ramón Sierra, Gerardo Delgado and Juan Suárez shared a life experience: they were all students at the Escuela Técnica Superior de Arquitectura in Seville and were all interested in art. Juan Suárez also studied at the Fine Arts Faculty. He held his first individual exhibition at Galería Juana de Aizpuru in 1970. (They were an important contemporary art gallery in Seville spain and showed Wolfgang Tillmans, Georg Dokoupil, Jordi Colomer, Albert Oehlen, Eduardo Chillida and Andres Serrano). In 1982 his work was shown in Diez Pintores Sevillanos, together with Manuel Salinas (1940) and Ignacio Tovar (1947), among others. At various points his worked has been shaped by American Abstract Expressionist painting, Latin American Geometric Abstraction and by Constructivist painting and sculpture. In 1976 he received a grant from Fundación March, and in 1980 another from CINFE at the Ministry of Culture. He was awarded the Drawing Prizes at the Nuremberg Biennial (1979) and ARTEDER 82, the Premio de Pintura from the Diputación Provincial de Sevilla, also in 1982, and the Premio de los Festivales de Navarra in 1985.
The Geometric spirit that is ever-present in his work and his perpetual curiosity lead him to incorporate materials from a very wide range of sources; composing some pieces with superimposed planes where abstraction is a key actor. His background in architectural practice and his constant demand for excellence profoundly shape his work. In his work, the influences of Barnett Newman, Jules Olitski, Kenneth Noland and, especially, Richard Diebenkorn can be appreciated. However, Juan Suárez moves away, at the same time, from the uniform vibration of color fields and the structural rigidity of closed compositions, alternating both concepts, from an emotional and poetic perspective. The density of the color dialogues with drippings and suggestive liquidiscent stains,while reserves and sharp lines make up and hold the pictorial structure.He writes in different magazines and specialized books on art and architecture. Recently the University of Seville has published its research work, New Ways of Living.
Exhibition
2008
Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo)
2006
Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo)
2004
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo)
2003
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo)
2003
VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo)
2001
VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
2001
VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
1999
VITA I. VOL. III Galería Senda. Barcelona. (solo)
1995
Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo)
1994
A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo)
1991
Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo)
1990
Pinturas. Galería Juana de Aizpuru. Sevilla. (solo)
1988
Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo)
1987
Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo)
1987
Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo)
1986
Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo)
1986
Pinturas. Galería Temple. Valencia. (solo)
1986
Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo)
1986
Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo)
1983
Pinturas. Galería Juana de Aizpuru. Madrid. (solo)
1982
ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo
1981
La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo)
1979
Pinturas de Barcelona. Galería Ciento. Barcelona. (solo)
1978
191 x 63. Galería Juana de Aizpuru. Sevilla. (solo)
1977
191 x 63. Galería Juana Mordó. Madrid. (solo)
1974
Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo)
1974
Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo)
1970
Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo)
EXHIBITIONS ONLY
1970
Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain.
1974
On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain.
Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain.
1977
191 x 63. Juana Mordó Gallery. Madrid, Spain.
191 x 63. Juana de Aizpuru Gallery. Seville. Spain.
1979
Paintings of Barcelona...
Category
1980s Abstract Abstract Paintings
Materials
Canvas, Oil, Acrylic
Large New York School Abstract Expressionist Colorful Mixed Media Painting
By Taro Yamamoto
Located in Surfside, FL
Taro Yamamoto, (American, 1919-1994)
"La Gatta Miso"
Oil or Acrylic/Canvas
32" x 50"
Hand signed lower right, dated 1990,
Titled on the stretcher verso, unframed.
Taro Yamamoto (1919 – 1994) belonged to the New York School Abstract...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic
Large Abstract Expressionist Painting Richard Heinsohn from Allan Stone Gallery
Located in Surfside, FL
Richard Heinsohn (American, -1961)
"Life Forms in Transit,"
Hand signed and dated 1988 verso.
Provenance: Allan Stone Gallery, New York.
Education...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Acrylic Polymer, Cotton Canvas, Acrylic
Large Rigoberto Mena Contemporary Cuban Abstract Expressionist Oil Painting
By Rigoberto Mena
Located in Surfside, FL
"Yellow/Green"
2004. Oil/Acrylic on Canvas. Signed lower right
Image: 34.5" x 47". Framed: 49" x 37".
Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland.
Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others.
Select Personal Exhibitions
2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana,
2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba
2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana.
2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A.
2011 Speaking in languages. Fine Arts National Museum, Havana.
2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater.
2009 The writing and the limit. 23 y 12 Gallery, Havana.
2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México.
2006 Coexistence. Public space, during the Ninth Havana’s Biennale.
2005 Ball change. La Casona Gallery, Havana, Cuba
Das Unbestimmbare Selbst. Refugium Gallery, Berlin.
2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba
2003 The visual poetry of life. Refugium Gallery, Berlin.
Rigoberto Mena. Recent Work. Habana Gallery, México DF.
Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana.
Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University,
2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery,
2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States.
Three abstract painters (with Jo Ann Rothschild and Julia Valdes...
Category
20th Century Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic
1978 Joy Walker Pattern & Decoration Color Field Abstract Op Art Painting
Located in Surfside, FL
Joy Walker (Canadian, b.1942)
Pattern painting
Acrylic on canvas,
This is heavily textured acrylic with a sculptural quality to it
Dimensions: approx. 12-1/2" x 12-1/2"
Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski
Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks.
Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition.
"One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995.
Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters.
There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch.
Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School.
She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin.
She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park.
This work also bears the influence of Op Art and Kinetic Art
Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz,
She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes...
Category
1970s Abstract Abstract Paintings
Materials
Canvas, Acrylic
1978 Joy Walker Pattern & Decoration Color Field Abstract Op Art Painting
Located in Surfside, FL
Joy Walker (Canadian, b.1942)
Pattern painting
Acrylic on canvas,
This is heavily textured acrylic with a sculptural quality to it
Dimensions: approx. 12-1/2" x 12-1/2"
Verso of each is signed and dated, Joy Walker / 1978 / Acrylic. Provenance: the Estate of Andre Zarre Sowulewski
Joy Walker (1942– ) is a mixed media abstract painter born in Tacoma, Washington. Walker studied at the University of Oregon and Columbia University with art historian Meyer Shapiro. She also attended the New York Studio School with instructors Sidney Geist, Philip Guston, Alex Katz, and Esteban Vicente. Throughout Walker’s career, which began in 1970, she has exhibited at galleries in Canada and in the United States. Her work has subsequently been collected by Citibank and JPMorgan Chase banks.
Joy Walker: 1970 - 1995: 25 Years, George Woodman New York, NY: 55 Mercer St. Gallery, 1995.Includes essays by George Woodman, Gary Michael Dault, Yvonne Lammerich, and Andre Zarre; Accompanied a 1995 exhibition.
"One has the sense of peering through a sharp-edged hole in the wall at parts of some unknown visual expanse. In fact, implied continuation of a field is a constant in Walker's oeuvre, along with an emotive display of color held in check by powerfully graphic shapes, whether geometric or organic." Janet Koplos, Art in America, September 1995.
Her work relates to the Pattern and Decoration art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. These artists also looked for inspiration outside of the United States. The influence of Islamic tile work from Spain and North Africa are visible in the geometric, floral patterns. They looked at Mexican, Roman, and Byzantine mosaics; Turkish embroidery, Japanese woodblocks; and Iranian and Indian carpets and miniatures. They often retained the same 'flattening grid' frequently employed by Minimalist painters.
There is a close connection between the Pattern and Decoration movement and the feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Artists included Valerie Jaudon, Joyce Kozloff, Robert Kushner, Susan Michod, Miriam Schapiro, Betty Woodman, and Robert Zakanitch.
Joy Walker has been exhibiting paintings for thirty years. She is the winner of grants from the Adolph and Esther Gottlieb Foundation, Artists Space, Change, Inc., the Canada Council and the Ontario Arts Council and the New York Studio School.
She exhibited at MoMA NY PS1 in 1980 along with Jaime Ardila, Allen Bertoldi, Catharina Cosin, Peter Downsbrough, Barry Feuerstein, Jasper Halfmann, Jene Highstein, Frances Hynes, John Massey, Dennis Oppenheim, Maura Sheehan, Bernard Tschumi, Joel-Peter Witkin.
She has attended the following art colonies: Yaddo, MacDowell, Edward Albee, Millay, Byrdcliffe, Pouch Cove, Baie-Saint-Paul, Sheffield Lake, Cummington and Palisades Park.
This work also bears the influence of Op Art and Kinetic Art
Vasarely, Bridget Riley, Julian Stanczak, Anni Albers and Richard Anuszkiewicz,
She showed at Andre Zarre Gallery including a solo show. This came from his collection of painting and sculpture. Andre Zarre Gallery showed Sonia Delaunay, Nassos Daphnis, Sari Dienes...
Category
1970s Abstract Abstract Paintings
Materials
Canvas, Acrylic
You May Also Like
Rapids, 2022
By Robert Standish
Located in Greenwich, CT
Rapids is an acrylic on canvas painting, 36 x 24 inches, signed, titled and dated verso. Framed in a contemporary wood frame.
Category
21st Century and Contemporary Abstract Paintings
Materials
Canvas, Acrylic
$6,637 Sale Price
25% Off
Polarities, 2022
By Robert Standish
Located in Greenwich, CT
Polarities is an acrylic on canvas painting, 36 x 24 inches, signed, titled and dated verso. Framed in a contemporary black frame.
Category
21st Century and Contemporary Abstract Paintings
Materials
Canvas, Acrylic
$6,637 Sale Price
25% Off
Unearthed (#2), 2023
By Robert Standish
Located in Greenwich, CT
Unearthed (#2) is an acrylic on canvas painting, 36 x 24 inches, signed, titled and dated verso. Framed in a contemporary white frame.
Category
21st Century and Contemporary Abstract Paintings
Materials
Canvas, Acrylic
$6,637 Sale Price
25% Off
Rhythmic Meditation (Titan #1)
By Robert Standish
Located in Greenwich, CT
Rhythmic Meditation (Titan #1) is acrylic on canvas painting, 36 x 24 inches, signed, titled and dated verso. Framed in a contemporary white frame.
Category
21st Century and Contemporary Abstract Paintings
Materials
Canvas, Acrylic
$6,637 Sale Price
25% Off
Habitat Floriography (Deep Red), 2022
By Robert Standish
Located in Greenwich, CT
Habitat Floriography (Deep Red) is an acrylic on canvas painting, 36 x 24 inches, signed, titled and dated verso. Framed in a contemporary white frame.
Category
21st Century and Contemporary Abstract Paintings
Materials
Canvas, Acrylic
$6,637 Sale Price
25% Off
Floriography Cobalt Blue #2
By Robert Standish
Located in Greenwich, CT
Floriography Cobalt Blue #2 is an acrylic on canvas painting, 36 x 24 inches, signed, titled and dated verso. Framed in a contemporary white frame.
Category
21st Century and Contemporary Abstract Paintings
Materials
Canvas, Acrylic
$6,637 Sale Price
25% Off
Recently Viewed
View AllMore Ways To Browse
Joy Brown
Joy Waller
Walker Art Center
African Art Unknown Artist
Japanese 1960s Painting
Japanese Painting 1960s
Vintage Feminist Art
Art From Mosaic Tile
Abstract Carpet 1
Op Art 1970s
Paintings By Esther
1960s Op Art
John Andre
Abstract Woodblock
1980s Floral Art
Retro Islamic Art
Painting Signed Yvonne
Painting Signed Esther