Juan Jose Hoyos Quiles

History of Modern Painting (Crown For Basquiat), Painting, Acrylic on Canvas

2018

Dimension 50 cm x 50 cm x 1,5 cm. /// 19.70" x 19.70" x 0,60" Inches - Acrylic on canvas, mixed media - Signed on the back / Sergio Aranda - The sides of the painting are p...

This piece is a completely unique and original abstract fluid acrylic painting on a a hand-stretched, 1.5" deep canvas. It is an exercise in fluid painting and is unique in the emerg...

Abstract painted on Illustration Board mounted on 14 10" matte board. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist ::...

A painting created with paper collage. The collage pieces were coloured before applying them to the canvas. Different green shades, some pink and magenta. I worked over the piece wi...

Abstract painting inspired by the colors of the sunset. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the back and includes a Certifica...

Everything in the universe moves. Nothing is static. There are forces that alter our history that we cannot see. Every choice we make takes us on a new path. There is no right or wro...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

The artist describes her creative process as one that draws from imagination, reflection, and intuition, resulting in works that mediate between chance and order. She states: “I build up my paintings with multiple layers of fluid acrylic paint, creating a conversation between light, color and space. I strive for a balance between open and cluttered spaces; orbs of vivid color bump up against intricate and tightly woven, grid-like areas of paint. This process, in play with the materials, results in graphic networks drawing on traditions of color field painters as well as contemporary works by Elizabeth Neel...

Through observation of urban architectural and structural elements, Core Jane Glasser documents the passage of time via the effects of light – both sunlight and artificial, and our relationship with built and natural environments. Exploring tensions between old and new, solid and void, presence and absence, the artist composes an abstract diary of shifting color and form, creating an evocative and magnetic sense of time and place. Glasser’s paintings, drawings, and installations have been exhibited in group and solo shows nationally and internationally, including exhibitions at the Gallery at F.I.T,, Pelham Art Center, Ely Center for Contemporary Art, Morris Museum, Roger Smith...

Anne Finkelstein’s hard-edged architectural paintings are built upon a foundation of poetry and history. Inspired by a lifetime of walking through New...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

Carolanna Parlato uses her vibrant, diaphanous puffs of color to punctuate the layered textures of paint beneath them. These bold visual interruptions stand in stark contrast to their tightly-woven acrylic neighbors; an explosive surprise in the otherwise ordered mesh-like ground. Carolanna Parlato has exhibited widely in New York City and throughout the U.S. since the 1990s. Her paintings have been written about in numerous publications including The New York Times, Art in America, The Boston Globe, Artcritical, ArtNews, The New Criterion, White Hot Magazine, and The Brooklyn Rail. Solo exhibitions include the Islip Art Museum; the Phatory (NYC); Elizabeth Harris Gallery (NYC); and Morgan Lehman Gallery...