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Juan Jose Hoyos Quiles
Kaleidoscope (Prism) 2016, Painting, Acrylic on Canvas

2016

$1,060
£814.03
€932.87
CA$1,492.22
A$1,671.61
CHF 871.06
MX$20,390.24
NOK 11,069.22
SEK 10,437.48
DKK 6,962.71

About the Item

A concoction of intersecting planes of colors, colliding and intersecting with each other as envisioned in the tube into which you peer and turn around to create different prismatic effects. This painting took about 3 weeks to finish, using gesso, acrylic paint and matte medium as I intuitively changed and repainting colors and geometric shapes. Titled, signed and dated on the back. Ready to hang, color wraps around the sides. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location: Titled Dated and Signed on back of painting :: Canvas :: Landscape :: Original :: Framed: No
  • Creator:
  • Creation Year:
    2016
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 36 in (91.44 cm)Depth: 0.8 in (2.04 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Yardley, PA
  • Reference Number:
    Seller: 712661stDibs: LU802114320452

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Triangulation III, 2019, Painting, Acrylic on Canvas
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My paintings are fueled by my love of abstraction. The practice of making them involves experimenting with many schools of art and diverse art movements from the early 1900s to the present. My work has been described as minimal, concrete, reductive, geometric, hard-edged and non-objective. For the most part, I do not adhere to a "recognizable style" and instead depend on my intuition and shift back and forth within different parameters. Sometimes I work in pairs but have also worked in series as in my Concrete Paintings. I favor flat blocks of color, straight lines, hard edges, the grid, patterns, color juxtaposition, geometry, and patterns. The work is distilled and austere. I work with a mixture of acrylic paint, matte medium, and gesso on canvas, paper or wood, giving my work a matte flat finish similar to gouache paint and creates the great depth of color that I prefer. I finish the work with a coat of matte varnish. I studied under some great masters such as Elizabeth Murray, Keith Sonnier, Raphael Ferrer, Lucio Pozzi, and Nachume Miller. Artists that have influenced my work are Imi Knoebel, David Novros...
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