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Juan Jose Hoyos Quiles
Ritmo Numero Uno, 2020, Painting, Acrylic on Wood Panel

2020

$840
£645.04
€739.96
CA$1,180.30
A$1,321.86
CHF 689.72
MX$16,145.95
NOK 8,775.31
SEK 8,271.78
DKK 5,522.24

About the Item

My paintings are fueled by my love of abstraction. The practice of making them involves appropriating, re-inventing, and mixing from many schools of art and diverse art movements from the early 1900s to the present. For the most part, I do not adhere to a "recognizable style", and instead depend on my intuition, and shift back and forth within different parameters. Sometimes I work in pairs but have also worked in series as in my Concrete Paintings. I favor flat blocks of color, straight lines, hard edges, the grid, patterns, color juxtaposition, stripes, and geometry. The work is distilled, elegant, and austere. I relate to painting as if it were a dance, trying to understand new steps between color and geometry. There are never any hints of gestures or marks. My work is firmly planted in the Minimalist, Reductive, Geometric, and Hard Edge Schools of painting. I work with a mixture of acrylic paint, matte medium, and gesso on canvas, paper or wood, giving my work a matte flat finish similar to gouache paint, and creating the great depth of color that I prefer. I am influenced by architecture, patterns, graphic design, and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new dialogue inherent to abstraction that started in the early 1900s and continues to be relevant to this day. I hope that when a viewer sees my work they will get a feeling of simplicity, harmony, order, and rhythm. This work was painted on a smooth gesso wood panel which is cradled with New Zealand pine with a depth of 2 inches. Finished with several coats of satin varnish with light sanding between each one. This process further enhances the matte paint. Signed, titled, and dated on the back. Ready to hang. :: Painting :: Minimalism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location: Titled dated and signed on the back :: Wood Panel :: Landscape :: Original :: Framed: No
  • Creator:
  • Creation Year:
    2020
  • Dimensions:
    Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Yardley, PA
  • Reference Number:
    1stDibs: LU802112415172

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Exhibited at SUPERFINE! A Hyper-Curated, Contemporary Art Fair Frieze Week, NYC, May 2-6, 2018 Se├▒ales Numero Quatro (Signals Number Four) 2018 is the fourth painting in the Signals Series. These acrylic paint on canvas works investigate signals, signage, traffic, movement, tracks, flags, color juxtaposition, rhythm, patterns and the grid. It is painted in the hard edge, geometric, minimalist tradition. Influences include Elllsworth Kelly, Donald Judd, John McLaughlin, Karl Benjamin, Ad Reinhardt and Carmen Herrera to name a few. This painting measures 24" Height x 30" Width x 1.5" Depth and was painted on archival gallery wrapped canvas. The paint wraps around the edges, so there is no need for framing. Ready to hang with just a couple of nails. Titled, signed and dated on the reverse. Signals Number One and Signals Number Two were completed in August, 2015. Signals Number One was purchased by a collector from Englewood, Colorado in November, 2016 after being exhibited in a group exhibition called Inspire/Chapter Two...
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