Ira Barkoff

Forest Series - Warm Sun

2020

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vas...

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vas...

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vastness” and instill feelings of awe in his viewers, he says. Furthering his exploration of the abstract, Barkoff paints in his studio, rather than en plein air, fabricating landscapes from his visual and emotional memories. The Impressionist-turned-Expressionist painter is inspired by the atmospheric qualities of works by Claude Monet and J. M. W. Turner and cites Gerhard Richter as a more contemporary influence. He recently transitioned from using a paintbrush to using a squeegee and palette knives for his work, as the latter allow for greater spontaneity and manipulation of color. He says of his work: “Looking at a blank canvas can be both exciting and frightening at the same time. Most of the time exciting wins out and I plunge in. That is, I paint the landscape, which for me is what it’s all about. The landscape represents nature and contemplating nature is being in touch with God. You could cast me as a modern-day Luminist-Tonalist-Impressionist. Monet’s Water Lilies have been a big influence, along with the landscape painter Wolf Kahn.” “The landscape is what I see before me or from my mind’s eye. When I paint a mountain or a tree, I’m not trying to capture the mountain or tree literally (that’s what a photograph does). I’m trying to express my inner spirit in the painting – to transcend the physical to reach the spiritual.” “My most successful pictures are not those that are the most accurate in terms of nature, but are the ones where the state of my consciousness allowed me to translate my feelings – my deepest inner feelings – to the canvas. When I get into this altered state...

Born in 1934 in Brooklyn, New York, Ira Barkoff’s paintings feature empty, Zen-like landscapes whose stillness reflects a location’s essence. Barkoff seeks to “portray a sense of vastness” and instill feelings of awe in his viewers, he says. Furthering his exploration of the abstract, Barkoff paints in his studio, rather than en plein air, fabricating landscapes from his visual and emotional memories. The Impressionist-turned-Expressionist painter is inspired by the atmospheric qualities of works by Claude Monet and J. M. W. Turner and cites Gerhard Richter as a more contemporary influence. He recently transitioned from using a paintbrush to using a squeegee and palette knives for his work, as the latter allow for greater spontaneity and manipulation of color. He says of his work: “Looking at a blank canvas can be both exciting and frightening at the same time. Most of the time exciting wins out and I plunge in. That is, I paint the landscape, which for me is what it’s all about. The landscape represents nature and contemplating nature is being in touch with God. You could cast me as a modern-day Luminist-Tonalist-Impressionist. Monet’s Water Lilies have been a big influence, along with the landscape painter Wolf Kahn.” “The landscape is what I see before me or from my mind’s eye. When I paint a mountain or a tree, I’m not trying to capture the mountain or tree literally (that’s what a photograph does). I’m trying to express my inner spirit in the painting – to transcend the physical to reach the spiritual.” “My most successful pictures are not those that are the most accurate in terms of nature, but are the ones where the state of my consciousness allowed me to translate my feelings – my deepest inner feelings – to the canvas. When I get into this altered state...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aze...

Mar Oil On Canvas 39 x 39 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other mediums....