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Kyle MorrisGreen Burst1958
1958
$75,000
£57,883.73
€65,897.18
CA$107,093.50
A$116,806.40
CHF 61,547
MX$1,400,820.19
NOK 774,955.33
SEK 723,017.64
DKK 492,135.59
About the Item
Waterline Fine Art, Austin, TX is pleased to present the following work:
Kyle Morris
Green Burst, 1958
Oil on canvas.
Signed and dated lower right; signed, titled, dated verso.
48 x 54 in.
49.5 x 55.5 in. (framed)
Custom framed in a solid maple floater, with a matte white finish.
Provenance
Kootz Gallery, New York
Seymour H. Knox Foundation, Inc., Buffalo, NY
Albright-Knox Art Gallery, Buffalo, NY
Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School.
Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art during the 1960s.
As the 1960s gave way to a new decade, so did Morris’ trademark action style, which became more subdued and minimalistic, in line with other abstract painters of the time. He also assumed faculty positions at a number of prominent universities, including the University of Minnesota - Twin Cities and the University of Texas at Austin.
Morris is remembered as an important member of the first generation of abstract expressionists, who achieved great acclaim during his truncated career. His work is held in many important public and private collections, including the Whitney Museum of American Art, the Albright-Knox Gallery, the Solomon R. Guggenheim Museum, and the Walker Art Center.
Source: The New York Times and Eric Firestone Gallery, New York
- Creator:Kyle Morris (1918 - 1979, American)
- Creation Year:1958
- Dimensions:Height: 48 in (121.92 cm)Width: 54 in (137.16 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Overall very good and stable condition. No evidence of restoration. Not examined under UV light. Please inquire for additional details.
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU2287217189182
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Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work:
Oil on canvas. Signed and dated lower right; signed, titled, dated verso.
48 x 60 in.
49.75 x 61.75 in. (framed)
Custom framed in a solid maple floater, with an heirloom white finish.
Provenance
Kootz Gallery, New York
Collection of John G. and Kimiko Powers, New York/Aspen, CO
Prentice-Hall Corporate Art Collection, New York
Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School.
Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art...
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Waterline Fine Art, Austin, TX is pleased to present the following work:
Egg emulsion on fiberglass. Signed and dated upper left and verso; titled verso.
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49.75 x 49 in. (framed)
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