Laura Dargan

"Canopy" - Colorful Non-Objective Painting - Bold Shapes - Sonia Delaunay

2021

"MidMod" is an abstract painting featuring hues of blue, orange and cream. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. Laura Darg...

"Palm" is an abstract painting featuring hues of blue, brown, green and cream. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. Laura ...

"Retreat" is an abstract painting featuring hues of orange, green and beige. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. Laura D...

"Fireflies Two" is an abstract painting featuring hues of orange, blue and yellow. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Diebenkorn. La...

Abstract acrylic painting by artist Daniel Rosenbaum.

Jodi Fuchs' mid-century modern inspired artworks showcase distinct fields of vibrant colors, often taking on organic and soft shapes. Her pieces emanate a s...

Bands of light, blue green orange and red are stacked at angles, intersecting like shards from a kaleidoscope in this acrylic by Burton Kramer. The apt title of this dynamic composit...

Sonia Delaunay Full-page, colour pochoir after costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...