Laura Roebuck

Waiting for Pink II

2022

"There is a constant internal back and forth, and it's a huge part of my creative process. I'm simultaneously creating space for dialogue and following the lead of the piece, and to...

Working in both grid patters and wash of color, this large-scale piece is a moody expression of Thornycroft's best work. With a minimal palette, she creates an abstracted landscape ...

Addi's work is grounded in natural color palettes and structural forms inspired by the world around her. Working in large swaths of minimal colors, her forms feel familiar and solid...

This large scale abstract is a power expression of Moody's signature wet on wet squeegee method. Having trained under Gerhard Richter at the Stadle Institute, it has taken a lifetim...

This captivating landscape photograph emerged from Reskala's year-long exploration of Santa Monica, where she dedicated herself to capturing the essence of a particular location thro...

This captivating landscape photograph emerged from Reskala's year-long exploration of Santa Monica, where she dedicated herself to capturing the essence of a particular location thro...

Untitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Diving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, verso

James Joyce's Smile, 1984 Oil on canvas 66 x 87 in. (167.6 x 221 cm) Signed, dated, and titled, verso

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

In "Shattered Atlas: The Modern Burden," the artist Masri presents a 40" x 30" mixed media canvas that epitomizes 'Shattered Cubism,' a style that fragments reality into geometric fo...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...