Lawrence Kupferman

September Landscape

1957

Signed lower right: "Kupferman". Inscribed lower right: "2317". Titled, signed, dated, and inscribed verso: "GK:2,317.D / "Pacific Tide Pool" / Lawrence Kupf...

Signed lower right: "Jason Berger". From the estate of the artist.

Painted in the early 1960’s, this landscape depicts a ruined mill dam on Cobb Brook at the Quinapoxet Reservoir in Princeton, MA. Herbert Barnett was an American artist whose life a...

Signed and dated lower left: "Ben Norris / 29 - XII - 50". With label verso: "Landscape Variations II - Sardonic Interlude / by Ben Norris". From the Estate of the Artist. Exhibite...

Ronnie Landfield (1947- American) "Untitled" 1982 Acrylic on Paper Dimensions: Sheet 30" X 42" Frame 32 X 44 Hand signed and dated lower right Provenance: Denman Associates, Seattle gallery Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

This painting reflects the summer sun over Skye on the break of day as the mist lies low in the valleys and the promise of a beautiful day. Using vibrant turquoises to convey the fee...

The textural, earthy tones of the moor are complimented by the green/greys and dusky pinks of the sky. I wanted to create movement in this piece, with fast moving scudding clouds. Chalk pastel and Inktense were worked over the earth colours to create moorland grasses. This piece is presented in a soft, off white deep cut mount. Luisa Holden artist paints original art and is available to buy online and in our art gallery at Wychwood Art. Luisa is a York based contemporary painter who works spontaneously in a semi abstract/abstract style. Her work often features the North Yorkshire Moors...

Desertscape #4, Original Contemporary Abstract Expressionist Landscape Painting, 2022 14" x 17" (HxW) Acrylic on Paper Hand-signed and dated by the artist. This abstract expressionist work by artist Simona Gocan...