Linda King Ferguson

SUNDOG 2 - Diamond Geometric Abstract Painting Inspired by Sundogs & Nature

2022

SUNDOG 15 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

SUNDOG 25 is an acrylic on panel painting belonging to the Sundog series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the S...

SUNDOG 10 is an acrylic on panel painting belonging to a series inspired by the meteorological phenomenon of Sundogs (parhelia), occurrences of bright spots straddling the Sun in a 22° halo. The painting consists of triangular and quadrilateral forms in a red hue palette. Just like in other Sundog paintings, the color scheme is directly inspired by nature, with red tints referring to the element of fire and autumn leaves. SUNDOG 10 was featured in Linda King Ferguson’s solo exhibition Kissing the Sky at the Channel To Channel...

Diamond II 2018 Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x48 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almost every drawing and panting were on display in his classroom. During his college years, in Vienna Austria, studying to become mechanical engineer, he continued to study art. His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where he finished his first small oil painting. Since then JARO painted on and off, until he opened his own studio in 1965 on East 4th Street in the Village. Here he created a series of well designed palette knife paintings in the style of abstract expressionism. JARO stretched off shaped canvases, making him one of the first artists working with these unique shapes. At the time JARO owned his own studio, he studied at the Art Students League 57th Street, New York.  Later in 1969, he studied in Woodstock for several years with John Pike, one of the foremost watercolorists in America, as well as, with Robert Angeloch...

Geometric abstraction painting by Brazilian-born artist Elizabeth Freire. Painting is acrylic on canvas. Signed on reverse and titled "From the Center". B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris. Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse. In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne. Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo and the architect Oscar Niemeyer. She then traveled extensively throughout Europe and North Africa. In 1983, the sculptor Cardenaz advised her to go to Carrara in Italy to develop her carving skills. She spent the following two years at the Studio Nicoli where she met the sculptors Knutt Steen, Gigi Guadagnucci...

Artist: Arthur Boden, American XXth Title: Untitled (Hexagon) Year: 1975 Medium: Acrylic on Canvas, signed verso Size: 54 x 51.5 (104.14 cm x 152.4 cm)

A bright turquoise-blue ‘sun’ draws the viewer’s eye into the center of this beautiful new composition by Burton Kramer. A modernist, Kramer’s expressive work plays with geometric sh...