Lisa Daniels

Threes A Crowd, Painting, Acrylic on Canvas

2022

Showing it's individualism with the strong red amongst all the black white and gray, this is an eye catcher! Strength and boldness are the characteristics of this painting! Modern lo...

A metaphysical concept in muted purples, grey and dramatic black and white. I'm exploring the nature of things - and the idea that there's one, the opposite and the space in between....

Abstract painting. Diptych. Yellow, blues, white, blacks. No frame needed. About the Artist: Michael has been working as a painter and designer for over 20 years. His work has been exhibited in various galleries and museums throughout the country including The Carnegie Museum of Art, The Austin Museum of Digital Art, The Westmoreland Museum of Art, UICA/Michigan, and The Mattress Factory. His paintings have been featured in Atlantic Homes and Lifestyles, Beaux Arts, Table Magazine, Perlora Contemporary Home Magazine, The Wall Street International Magazine and the cover of Housetrends. His work will also be featured in Design Within Reach’s 2019 Catalog. His clients have included The Museum of Contemporary Art in San Diego, Nintendo, IBM, Sony Pictures and Panasonic. His work has been published widely in various publications including TIME, The Wall Street Journal, How Magazine, Graphis, London’s Computer Arts, BIg Magazine, The Book of Probes by Marshall Mcluhan (designed by David Carson), Big Magazine and Speak. His collaboration with José Muniain on the short film installation “Navarro”, which documented his painting process, was a finalist in the D.C. Independent Film Festival. Some recent projects include the main lobby interior...

Finding My Way 2 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 0 in Inv #: 795 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...