Luciana Levinton

After Lygia Clark I

2019

35.40 x 77.90 in Oil on canvas Unstretched

35.40 x 82.30 in Oil on canvas Unstretched

Oil on canvas

Oil on canvas

Signed, verso, on stretcher bar, 'Renee Harwin' (Austrian-American, born 1924) and painted circa 1975. A dramatically balanced abstract comprising adjacent and overlapping geometric forms in muted shades of saffron, brick red and ultramarine. Renee Harwin's figures are gestural, reflective of human design and set within an environment of patterns suggestive of clouds and sky. She comes to the figure through years of hard-edge painting. Her work combines the influence of Midwest painters such as Clyfford Still and her San Francisco Art Institute instructor Jack Jefferson...

Pieter de Haard (Rotterdam 1914-2000)

This image is the artist's interpretation of the Hyper Cube which he had been contemplating since 1973. It represents the Hyper Cube in higher dimensions with collinear point inters...

Signed, verso, on stretcher bar, 'Renee Harwin' (Austrian-American, born 1924) and painted circa 2000. A substantial, Post-Painterly abstract comprising hard-edged, geometric forms in primary colors, with ochre and burnt umber, stacked in a vertical composition. Born in Vienna in 1924, Renee Harwin emigrated to the United States with her family to escape Hitler and the Holocaust. She graduated from San Francisco State University in 1970 and went on to receive her MFA from the San Francisco Art Institute in 1973. Harwin exhibited widely and with success in the California Bay Area, including at the University of California at Davis, the C.N. Gorman Museum (1993) and at the De Young Museum. Her work combines the influence of Midwest painters such as Clyfford Still and her San Francisco Art Institute instructor, Jack Jefferson...