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Lyman Kipp Untitled Geometric Abstraction unique signed & framed by Minimalist art pioneer1978
1978
About the Item
Lyman Kipp
Untitled geometric abstraction, 1978
Acrylic painting on paper
Hand signed and dated 1978
Unique
Frame included:
Elegantly floated and framed in a hand made white wood museum frame with UV plexiglass
This painting on paper is by pioneering Minimalist Lyman Kipp, one of the original founders of ConStruct, the artist-owned gallery that promoted and organized large-scale sculpture exhibitions throughout the United States. Other founding members include Mark di Suvero (a self-taught former construction worker known for his gigantic industrial steel I-Beams works), Kenneth Snelson, John Raymond Henry and Charles (Chuck) Ginnever. Lyman Kipp, the most under-recognized of that group, is arguably one of the best. His work is pure Minimalism, celebrated in the groundbreaking 1967 group show "Primary Structures" at the Jewish Museum. Kipp is known for his use of strong vertical and horizontal strokes and objects in his compositions, as exemplified in this exquisite work on paper.
Elegantly floated and framed in a hand made wooden museum frame with UV plexiglass
Measurements:
Framed
19.75 inches vertical by 25.75 inches horizontal by 2 inches
Work
18 inches vertical by 23.75 inches horizontal
- Creator:Lyman Kipp (1929 - 2014, American)
- Creation Year:1978
- Dimensions:Height: 19.75 in (50.17 cm)Width: 25.75 in (65.41 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:A bright dazzling image in very good condition other than small (unobtrusive) pinholes on each corner margin, visible mostly up close (see photos).
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745214109992
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Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\
Canvas is stretched against wooden backing but no outer frame
This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss.
Maureen Mullarkey of Studio Matters wrote in 2010:
THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition:
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Unique painting on paper done with paint roller by Minimalist pioneer Lyman Kipp
Located in New York, NY
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Unique painting on paper done with paint roller, 1970
Ink roller painting on paper
Signed and dated in ink by Lyman Kipp on the lower right
Frame included: elegantly framed in a museum quality wood frame with UV plexiglass
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Measurements:
Frame:
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Artwork:
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About Lyman Kipp:
The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor.
The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art.
Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors.
In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures.
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Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S.
Courtesy of Vertu Fine Art
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