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Madeline DenaroSecond, Second Skin
$23,600
£18,163.91
€20,685.48
CA$33,550.88
A$36,470.93
CHF 19,113.99
MX$443,882.34
NOK 240,599.40
SEK 226,085.14
DKK 154,479.29
About the Item
To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art.
My work is very much about process. I find the image secondary to the art making. Although abstract in nature, there is an underlying visual order that gradually seems to emerge. Working intuitively, I enter a realm of the unknown where there is more of a following than any real choice. I seem to be forever altering and adjusting the framework of some invisible reality.
There is an openness that is needed for this direct experience, this self-imposed repetitive process as I build, destroy, erase, paint over. There is a definite chaos through which each work evolves and it seems to return repeatedly to its beginning. But with each revival there are the markings, the scars of the previous. I have a relationship to these subtleties, these sensitivities, keeping some, hiding some; but knowing full well all that has been before.
- Creator:Madeline Denaro (American)
- Dimensions:Height: 65 in (165.1 cm)Width: 63 in (160.02 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Park City, UT
- Reference Number:1stDibs: LU483312643772
Madeline Denaro
To allow something that I do not control to have an action, to allow oneself to bring this action into a materiality; this is why I make art. My work is very much about process. I find the image secondary to the art making. Although abstract in nature, there is an underlying visual order that gradually seems to emerge. Working intuitively, I enter a realm of the unknown where there is more of a following than any real choice. I seem to be forever altering and adjusting the framework of some invisible reality. There is an openness that is needed for this direct experience, this self-imposed repetitive process as I build, destroy, erase, paint over. There is a definite chaos through which each work evolves and it seems to return repeatedly to its beginning. But with each revival there are the markings, the scars of the previous. I have a relationship to these subtleties, these sensitivities, keeping some, hiding some; but knowing full well all that has been before.
About the Seller
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