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MajioMetamorphous2023
2023
About the Item
The materials are acrylic paint, and simple marking implements of graphite and Art Graf. Art Graf is a water-soluble media that comes in tailor’s squares, easily fitting into the hand to use the edges or the flat sides. In this marking series on paper Majio continues to extend visually ways of perceiving that offers another possible vision of reality. Some pieces are a de-framing of a moment in daily life, others a contemplation or an experience that brings home a new insight.
Earth-colored Art Graf, graphite and white acrylic paint on paper pick a stage in metamorphous that says little about what has come before or after. To hold the junctures of transformation open in awe and interest is the challenge. This kind of transformation is not easily recognized in linear progression. Mysterious, uncomfortable and without an invitation to embrace a sequential development, we miss the unfoldment. The movement alive in this image sets up the next stage we cannot fathom
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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