Malgosia Kiernozycka

Tower Of Sighing Pink Blue Abstract

2020

Blood Love Diptych 2019 Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Cultur...

The smell of Magnolias, abstract composition. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from ...

Queen Of Pink Night Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholars...

So Sorry. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for t...

Sleeping Arlekin diptych each canvas 47"x31"5, figurative abstract. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for the University of Fine Arts in Wroclaw. She studied glass design under Prof Witkowski and painting under Prof Wanda Golkowska. She received her master’s degree along with an award. In 1986 she moved to Germany and studied screen design at the Multimedia Academy in Mainz, and worked as a guest speaker at the Academy of Fine Arts in Wiesbaden. In 1989 she participated in an art exhibition for the best Diploma works in Munich, Germany, and was invited to present her pieces at an exhibition in Osaka, Japan, due to her outstanding work. In 1990 she was a laureate at OB ART...

Shape Shift Contemporary Abstract painting. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the...

This large, horizontal diptych woodcut print on paper evokes the peacefulness of ocean waves depicted in shades of cobalt blue with purple undertones and the artist's addition of wat...

Yvonne Jacquette (American, b. 1935) Tokyo Diptych, 1985 Pastel on paper Overall 17 1/4 x 28 1/2 inches Signed lower center Provenance: Carey Ellis Company, Houston, Texas Brooke Alexander, New York Collection of an American Corporation Exhibited: New York, Brooke Alexander, Yvonne Jacquette: Tokyo Nightviews, April 5 - May 3, 1986, n.p., illustrated; this exhibition later traveled to Brunswick, Maine, Bowdoin College Museum of Art, Yvonne Jacquette: Tokyo Nightviews, June 27 - August 24, 1986. Yvonne Jacquette has a preference for high places, a circling plane, a penthouse window, an aerie from which to watch the world. Her work has often depicted the city and man-made landscape from the vantage of angels. It is a privileged perspective, long loved by photographers, who were perhaps the first to recognize the geometric grandeur of the city below. That grandeur structures Jacquette's images but is not its full content. Her work attempts to resolve the visual and emotional pardoxes of the modern metropolis. Only from the tower is there the possibility of order and context. And unlaced beauty. Jacquette first visited Japan in 1982. Nighttime Tokyo, its cars and crowds and canyons of loud Vegas neon, made a vivid and bewildering impression on her. The neon signs, pulsing, scaling the walls of high rises, fascinated the artist, "like Times Square spread over miles." Her fascination was equal parts marvel, confusion, and curiosity—the sparks of art. She returned to Tokyo in May of 1985, choosing hotel rooms with expansive vistas. From these views Jacquette excerpted images for a series of pastel night scenes. The basic forms and colors of each drawing were blocked in during night sessions by the window. She worked in the dark, selecting colors by flashlight. In daylight, she sharpened the geometry and corrected ambiguous passages. She refined the drawings further in the studio until the images read clearly. Photographic correctness was not important. The finished drawings are complete statements, not simply preparatory sketches for paintings. They have the authority of expert witness. In clear, discreet jots of pastel they record the performance of seeing, each touch of color attesting to a moment's close scrutiny. Yvonne Jacquette was born on December 15, 1934 in Pittsburgh, Pennsylvania and grew up in Stamford, Connecticut. She attended the Rhode Island School of Design, Providence from 1952 to 1955, when she moved to New York City. Her late husband was photographer Rudy Burckhardt, and the couple were part of a circle of artist friends that included Fairfield Porter, Alex Katz, Red Grooms, and Mimi Gross. She continues to live and work in New York City, as well as in Searsmont, Maine. A flight to San Diego in 1969 sparked Jacquette’s interest in aerial views, after which she began flying in commercial airliners to study cloud formations and weather patterns. She soon started sketching and painting the landscape as seen from above, beginning a process that has developed into a defining element of her art. Her first nocturnal painting...

This large, horizontal diptych of two woodcut prints on paper evokes the peacefulness of ocean waves depicted in shades of blue, bright royal blue offset by soft, pale blue tones. Th...

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspiratio...

Torii Sea View and Sensoji Trees diptych Overall size cm : H74 x W94 Alexandra Buckle Sensoji Trees Limited Edition Linocut on Paper Edition of 10 Sold Unframed Image size: H 30cm x...

Overall size: H40 x W60 Transcend by Kate Willows [2017] limited_edition Ink on paper Edition number 40 Image size: H:30 cm x W:20 cm Sold Unframed Please note that insitu imag...

Imao Keinen, 'Flowering Quince and Cantonese Buttercup, Siskin' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban diptych, 1882. A fine impression, with fresh colors, on cream Japan paper, in excellent condition. Image size: diptych 12 5/8 x 17 7/8 inches (321 x 452 mm). Archivally matted to museum standards, unframed. ABOUT THE ARTIST Born in Kyoto, Imao Keinen (1845-1924) studied painting and calligraphy with Umegata Tokyo and Suzuki Hyakunen. He taught at the Kyoto Prefecture School of Painting and exhibited in shows in Japan and Paris. One of the most well-known Japanese painters of his time, Keinen was honored by his country with the title of 'Artist of the Japanese Empire...

Imao Keinen, 'Cabbage Rose and Spotted Munia' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban diptych, 1882. A fine impression, with fresh colors, on cream Japan paper, in excellent condition. Image size: diptych 12 5/8 x 17 7/8 inches (321 x 452 mm). Archivally matted to museum standards, unframed. ABOUT THE ARTIST Born in Kyoto, Imao Keinen (1845-1924) studied painting and calligraphy with Umegata Tokyo and Suzuki Hyakunen. He taught at the Kyoto Prefecture School of Painting and exhibited in shows in Japan and Paris. One of the most well-known Japanese painters of his time, Keinen was honored by his country with the title of 'Artist of the Japanese Empire...

Imao Keinen, 'Tree Peony and Blue and White Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban di...

Acrylic on canvas.

Fusing figurative and abstract elements, Danish artist Kirsten Poulsen's "Old Timer Repair" is a 48 x 36" acrylic and mixed media painting on canvas...

Title: Emerging, Into The Pink, 2021 Artist: Lowell Boyers Medium: Acrylic paint, resin and ink on canvas Size: 72 x 72 inches Unframed “Emerging, Into The Pink" is painted using a...

Miljan Suknovic Untitled (Flag) 30 x 55 inches Acrylic on canvas Unique Miljan Suknovic is a Serbian/American visual artist. Suknovic studied art...

Lowell Boyers (b. 1966) is a graduate of MFA program at Yale University and the Rhode Island School of Design (BFA). He has been living and working in New York City for over 30 years...

Title: Call Me The Breeze, 2022 Artist: Lowell Boyers Medium: acrylic paint, resin and ink on canvas Size: 24 x 18 inches Unframed Lowell Boyers’s paintings are explorations of how ...