Marc Dugain

Colorful French Acrylic Abstraction Signed by Marc Dugain

2011

Tats Cru, Inc. / Nosm Untitled, 2004 Acrylic and spray paint on canvas 24 x 30 in. Signed verso Tats Cru, Inc. is a group of Bronx-based graffiti artists turned professional muralists.[1] The current members of Tats Cru are Bio, BG183, Nicer, HOW, and NOSM. Tats Cru were founded by Brim, Bio, BG183 and Nicer. Over the last two decades, Tats Cru has produced various advertisements for clients ranging from neighborhood businesses and institutions to large corporations like Coca-Cola and Sony.[2][3] Tats Cru is also a major producer of New York City-style memorial murals, and have created artwork for many musicians including Nicki Minaj, Missy Elliott...

Adrianne Wortzel (b. 1941) Gold Columns, 1987 Acrylic on paper Sight: 22 x 30 in. Framed: 27 x 34 1/2 x 1 1/2 in. Signed and titled verso on stretcher bar ADRIANNE WORTZEL'S early ...

Syril Frank (American, 1929-2021) 1. Untitled, 1966 Mixed media collage; oil paint, paper, pen, canvas 19 5/8 x 24 in. Framed: 20 1/2 x 24 3/4 in. 2. Unt...

Mark Kaplan (Russian, b. 1950) Les visiteurs tardifs, c. mid-late 20th century Oil on canvas 31 3/4 x 39 in. Framed: 36 1/4 x 43 1/2 x 1 1/2 in. Signed upp...

Abstract Landscape Seascape 19 Blue Yellow Purple Painting from British Artist Margaret Francis, widow of famous Abstract Expressionist Artist, Sam Francis. Margaret Francis received her Degree in Fine Art from Winchester Art...

P19.2024 (Abstract Painting) Acrylic on Hahnemuhle paper - unframed Antony Densham, an abstract artist based in Aotearoa, New Zealand, is renowned for his distinctive approach to ca...

P51.2020 (Abstract Painting) Acrylic on Hahnemuhle paper - unframed Antony Densham, an abstract artist based in Aotearoa, New Zealand, is renowned for his distinctive approach to ca...

A multidisciplinary artist and experimental musician with synaesthesia, Jake-Andrew's practice is centred around the way the mind can perceive audio stimulus as colour, texture, shape and movement. Exploring sensory perception, Jake-Andrew documents the emotional and physical response to the relationships that exist between colour and sound, and how they can reflect the minutiae and melancholia of the human condition through gestural abstraction and introspective layering; exploring the progression of his physical practice for the digital renaissance by introducing pixel manipulation to digital gesture and occasionally physical attributes through coding. Jake-Andrew's work exists as an expressive, physical performance that allows him to create projected installation environments and immersive experiences; either on screen or in situ. Which affects the relationship that all of us have with colour and sound. Undertaken projects with Glenfiddich, Braun Audio...