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Marilina Marchica"Traces" Minimalist Paint on Paper Large Size2023
2023
$1,141.74
$1,427.1720% Off
£849.57
£1,061.9620% Off
€960
€1,20020% Off
CA$1,568.68
CA$1,960.8620% Off
A$1,750.79
A$2,188.4820% Off
CHF 921.11
CHF 1,151.3920% Off
MX$21,267.24
MX$26,584.0420% Off
NOK 11,677.28
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SEK 10,928.47
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DKK 7,308.11
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About the Item
Traces
Mineral Oxide on Paper ( Fabriano Paper)
70x100 cm
2023
Original Art
Authenticity certificate
frame options
one of a kind, non-reproducible
Marilina Marchica orients her pictorial research to the theme of subtraction, her attention is focused on the aesthetic and conceptual implications of the trace and the material, through the investigation and observation of architecture.
Urban architecture takes on a symbolic value. ruins, houses, demolitions and collapses are a metaphor for an existential dimension and the relationship between man, nature and time.
Marilina Marchica works inside the ruins, dilapidated houses, in her family's homes now empty and abandoned and through simple but radical actions she leaves an ephemeral and non-invasive sign in the landscape, from which she draws symbolic elements which, decontextualized, allow access to another reality,
starting from these traces she draws, rereads, traces the finds of a place that has now changed through silicone molding, frottage, collage, décollage, the artist preserves the memory of places abandoned and perforated by time.
In this exploration
the figure loses its sovereignty in favor of the work process. The fragment is the only possible form to rewrite,
the fracture is an area of instability and turbulence where to experience a fibrillation so from the collapse of the ruins and through the fall the "Fragment" is born.
The living space thus becomes an infinite possibility of focusing on a form without borders.
For Marilina Marchica, form and matter have become adorable remains of an ephemeral geography, miniature landscapes snatched from oblivion.
As the Persian poet Rumi states, "if the form disappears its root is eternal",
The purpose of the research is not the form but the reflection that arises from it or around it”
- Creator:Marilina Marchica (1984, Italian)
- Creation Year:2023
- Dimensions:Height: 39.38 in (100 cm)Width: 27.56 in (70 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Agrigento, IT
- Reference Number:1stDibs: LU1764213048442
Marilina Marchica
Marilina Marchica (Agrigento, 1984) lives and works in Agrigento. She trained at the Universidad Politécnica de Valencia and the Academy of Fine Arts in Bologna, where she graduated in Painting. He has participated in several exhibitions on national and international territory. In addition to the solo shows at the FAM Gallery in Agrigento, the A Sud Arte Contemporanea gallery in Realmonte, Spazio Hus Milano and the site-specific exhibition for the crypt of the Church of Santa Maria del Piliere in Palermo, we remember his participation in the FAM Prize of the Chiaramontane Factories of Agrigento and at the artist's residence in Villa Aurea - Valle dei Templi, curated by the Superintendency of Cultural Heritage of Agrigento. His works have been published in art magazines and volumes including "The New Collectors Book", edited by Basak Malone (New York, 2015). Her painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the stripping, reduction and subtraction of figurative elements.
"my landscapes are" boxes "of memories,
day after day they welcome events and individuals who leave their marks and change their boundaries and appearance "
The aesthetics of the "Sign" in Marilina Marchica's pictorial production starts from a research on architecture
the wall as a diaphragm between inside and outside
this takes on a strong symbolic value for the artist, crystallizes collapses and demolitions, freeing them from oblivion and placing them in a universal dimension that alludes to life and its seasons.
This cyclical and dynamic trend, on the other hand, tends to expand in the "Landscapes" to take on an expanded dimension that aligns itself on the geographical horizons, evoked by a vision of reality bordering on abstraction.
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