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Mark ZimmermannAequor Infinitum - Blue, turquoise, white and silver striped abstract painting2019
2019
$6,500
£4,952.01
€5,709.86
CA$9,096.62
A$10,163.96
CHF 5,316.88
MX$124,642.67
NOK 67,939.58
SEK 64,424.72
DKK 42,615.76
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About the Item
Blue and white striped abstract painting - Acrylic and graphite on canvas in artist frame. Signed on back by the artist.
Mark Zimmermann's work is based on the fusion of meditative fields, architectonic structures and an organic gestural line that is one-part intentional and one-part accidental. Zimmermann clearly demonstrates his deftness of hand though labored bands of color, building and editing one band upon other, until the editing process renders compositions that combine both hard-edge and action-painting abstraction.
In discussing this work, the editor and writer, Larry Qualls noted,“...a majestic landscape narrative... they illuminate the nature of painting itself. In a sense what these paintings do is bring a synthesis of the conceptual and the realistic; it is as if there is the conflux of two grand traditions: the purely abstract and the purely objective.”
Mark Zimmermann has exhibited his paintings across the United States and abroad. His work is held in private and public collections such as JW Marriott Essex House Hotel, New York, NY,The Four Seasons Hotel,Washington, D.C., the Marriott Convention Center, Schaumburg, IL,The Palazzo Hotel and Resort, Las Vegas, NV, Norwegian Cruise Line,The Parisian Sands Macau Hotel, Macau, China, among others.
Abstract painting, abstraction, stripes, blue and white striped painting, gestural abstraction, meditative abstraction, abstract expressionism, drip painting, contemporary art, contemporary abstract painting, interior design, art and design, contemporary painting
- Creator:Mark Zimmermann (American)
- Creation Year:2019
- Dimensions:Height: 38 in (96.52 cm)Width: 38 in (96.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:East Quogue, NY
- Reference Number:1stDibs: LU141728569672
Mark Zimmermann
Mark Zimmermann, an American artist and writer, was born to a military family in Munich, Germany, in 1967 and grew up in Hawaii and the southern United States. Since 1998, he has exhibited his paintings in 23 solo shows and numerous group exhibitions throughout the United States, Europe & Australia. In discussing his work, the editor and writer, Larry Qualls noted, “…a majestic landscape narrative… they illuminate the nature of painting itself. In a sense what these paintings do is bring a synthesis of the conceptual and the realistic; it is as if there is the conflux of two grand traditions: the purely abstract and the purely objective.” In 2000, Zimmermann became the first American artist to exhibit in a commercial gallery in Sofia, Bulgaria. In 2009, he was commissioned to create of suite of monumental paintings for the VIP Lounge of the Palazzo Tower Hotel and Resort in Las Vegas, Nevada. In 2010, he was photographed by Andres Serrano, in a project documenting New York artists. Most recently, Zimmermann has been the subject of 3 short films by Los Angeles filmmaker, Eric Minh Swenson and London based filmmaker, Lawrence Berry. As a writer, he has widely published poetry and short fiction, as well as essays and critical works on painting, photography, sculpture, architecture, theatre, and film throughout the United States, Europe, and Asia. His writing has been translated into six languages. He lives and works in New York City, Fishkill, New York and Encino, California.
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Mark Zimmermann's work is based on the fusion of meditative fields, architectonic structures and an organic gestural line that is one-part intentional and one-part accidental. Zimmermann clearly demonstrates his deftness of hand though labored bands of color, building and editing one band upon other, until the editing process renders compositions that combine both hard-edge and action-painting abstraction.
In discussing this work, the editor and writer, Larry Qualls noted,“...a majestic landscape narrative... they illuminate the nature of painting itself. In a sense what these paintings do is bring a synthesis of the conceptual and the realistic; it is as if there is the conflux of two grand traditions: the purely abstract and the purely objective.”
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In discussing this work, the editor and writer, Larry Qualls noted,“...a majestic landscape narrative... they illuminate the nature of painting itself. In a sense what these paintings do is bring a synthesis of the conceptual and the realistic; it is as if there is the conflux of two grand traditions: the purely abstract and the purely objective.”
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