Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Martin Canin
Untitled - Lilac, Red, Pink and Orange Polygonal Geometric Painting

1980s

About the Item

This untitled painting by Martin Canin's is an historic, large, 60 x 34-inch color-field oil painting, dating ca.1980. Martin Canin’s work can be linked to two 1960s movements: Color field and Op Art. Like many artists of the period, Canin focuses on the effect of large fields of color interacting on the canvas and the effect of the color combinations on the viewer. This piece belongs to a body of work in which Canin experimented with different polygons shaping the physical stretcher itself. This creates illusory spaces that give the painting the tridimensionality of a sculpture. The pyramidal orange field is the focal point of the composition. On top of it the lilac, red and pink polygons stack up like building blocks of a delicate balance Though at first it would be easy to assimilate Canin's paintings to the work of color field artists like Barnett Newman or Jack Bush, Canin’s large oil paint canvases maintain a distinctive lyrical aspect that separate them from pure geometry and plunge them into a subtle psychological realm. Canin states, "My work has gone through many changes in the more than forty years that I have been painting. Manet’s statement still resonates for me: To be concise in art is both necessary and elegant. Luminosity is still the goal, oil paint on canvas still the preferred medium, shape and color still the plastic means to speak my particular expression." Born in Brooklyn, NY, in 1927, Martin Canin is firmly rooted in the New York School of Abstract Expressionism. He received his major art training at Syracuse University, where he was awarded the B.F.A. in 1951. In 1959 he went to Tokyo, Japan, where he had his first one-man show in 1960. At the end of the 60s he started teaching at the Parsons School of Design. His work is part of the Tate Gallery and the Yale University Art Gallery's permanent collection, and it has been exhibited in Europe, Japan and the United States, including several one-man shows at the historic Graham Gallery at 1014 Madison Avenue, NY. His work has been exhibited in Europe, Japan and the United States, including several one-man shows at the historic Graham Gallery at 1014 Madison Avenue, NY. It is part of the Yale University Art Gallery’s permanent collection.
  • Creator:
    Martin Canin (1927, American)
  • Creation Year:
    1980s
  • Dimensions:
    Height: 66 in (167.64 cm)Width: 34 in (86.36 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: MC0151stDibs: LU24921376963

More From This Seller

View All
Summer Fling - Large Color Field Oil Painting
By Martin Canin
Located in New York, NY
Martin Canin's Summer Fling is a 60 x 78 inch horizontal color-field oil painting from 1983. Color is freed from objective context and becomes the subject in itself. The main color ...
Category

1980s Color-Field Abstract Paintings

Materials

Canvas, Oil

Chad
By Martin Canin
Located in New York, NY
Martin Canin's Chad is an historic 26 x 95 color-field oil painting, dating ca.1970s. Color is freed from objective context and becomes the subject in itself. This piece belongs to a...
Category

1980s Color-Field Abstract Paintings

Materials

Canvas, Oil

Yellow Flight - Historic Orange Geometric Abstract Oil Painting
By Martin Canin
Located in New York, NY
Martin Canin's Yellow Flight is a large, 58 x 76.5-inch geometric-abstract oil painting, dated 1972. Martin Canin’s work can be linked to two 1960s movements: Color field and Op Art....
Category

1970s Color-Field Abstract Paintings

Materials

Canvas, Oil

"Red Painting" - Historic Red and Pink Geometric Oil Painting
By Martin Canin
Located in New York, NY
Martin Canin's Ozone is an historic, large, 51 x 63-inch geometric-abstraction oil painting, dated 1972. Martin Canin’s work can be linked to two 1960s movements: Color field and Op ...
Category

1970s Color-Field Abstract Paintings

Materials

Canvas, Oil

"San Anton Rock" - Large historic Geometric Abstract Oil Painting
By Martin Canin
Located in New York, NY
Martin Canin's San Anton Rock is an historic, large, 58 x 76-inch geometric-abstract oil painting, dated 1972. Martin Canin’s work can be linked to two 1960s movements: Color field a...
Category

1970s Color-Field Abstract Paintings

Materials

Canvas, Oil

Untitled - Historic Burgundy Red, and Purple Color Field Oil Painting
By Martin Canin
Located in New York, NY
This work by Martin Canin is a 30.25 x 60.25-inch horizontal color-field oil painting from the 70s. Martin Canin’s work can be linked to two 1960s movements: Color field and Op Art. ...
Category

1970s Color-Field Abstract Paintings

Materials

Canvas, Oil

You May Also Like

"Colorfield #410", American Modernist, Gradient Color Field Abstraction, 1980's
By Leonard Nelson
Located in Doylestown, PA
Colorfield #410 is a wonderful example of American modernist Leonard Nelson's color field compositions and expression. The unframed, abstract oil on canvas measures 52" x 60" and is ...
Category

1980s Color-Field Abstract Paintings

Materials

Canvas, Oil, Acrylic

Tick Tock
By Friedel Dzubas
Located in New York, NY
1960 Oil on canvas 34 x 50 in. (86.4 x 127 cm) Signed and dated, verso
Category

1960s Color-Field Abstract Paintings

Materials

Canvas, Oil

Stripes, Abstract Painting by Warner Friedman circa 1965
By Warner Friedman
Located in Long Island City, NY
Artist: Warner Friedman, American (1935 - ) Title: Red, Black and White Stripes Year: circa 1965 Medium: Oil on Canvas, signed on label verso Size: 28 in. x 21 in. (71.12 cm x 53.34...
Category

1960s Color-Field Abstract Paintings

Materials

Canvas, Oil

Anne Russinof, Amaryllis, 2016, Oil on canvas, Color Field, Abstraction
By Anne Russinof
Located in Darien, CT
Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...
Category

2010s Color-Field Abstract Paintings

Materials

Canvas, Oil

Anne Russinof, Persian 2, 2018, Oil on canvas, Color Field, Abstraction
By Anne Russinof
Located in Darien, CT
Russinof uses large brushes to create highly energized gestures that intimate various patterns and forms in architecture such as frames, cornices and baroque ceiling vaults. The paint-ings are process-based in the sense that one is aware of drips and the accretion of layers, and also flirt with their role as objects by virtue of the gesture’s relation to the painting edge. Color serves to create a window onto natural space and light, even as the forms themselves acknowledge their own framing. She often thinks in these works of Renaissance portraits where the sitter’s forearm rests on the very edge of the frame, inviting intimacy, with a tiny landscape...
Category

2010s Color-Field Abstract Paintings

Materials

Canvas, Oil

"Untitled" James Suzuki, Abstract Color Field Composition, Mid-Century
By James Suzuki
Located in New York, NY
James Suzuki Untitled, circa 1960 Signed lower right "Suzuki" Acrylic on canvas 66 1/4 x 80 inches Provenance: Private Collection, New Jersey James Hiroshi Suzuki follows in the f...
Category

1960s Color-Field Abstract Paintings

Materials

Canvas, Oil

Recently Viewed

View All